Tag Archive: Black Sabbath


The word “djent” in and of itself is enough to bring any meaningful discourse to a grinding halt, as you can see above. Like it or not, it’s a thriving and lively force in metal culture and it’s best to come to terms with it now, because it’s unlikely to fade for another year or so, and even then you’re going to have the same sort of second and third gen revivals and knockoffs that metalcore has been seeing. Then again, everyone has their opinions and is entitled to them, but it’s always hilarious when someone gets a little too excited over something as trivial as this, especially if they’re in a position of celebrity. Enter one Randy Blythe, vocalist of seminal metalcore band Lamb of God.

The PRP has ran a colorful news piece this past weekend that highlights Blythe’s twitter tirade, where he touches on lack of innovation and the always controversial djent (and apparently a knock at crabcore as well):

“THE STUPIDEST name yet for ANOTHER “genre” of metal. If you call yerself “djent”- cap yerself NOW”

“THERE IS NO SUCH FUCKING THING AS “DJENT”. ITS NOT A GENRE. I’m sorry, it’s STUPID AS FUCK. Metal already WAY over classified.”

“…all this BULLSHIT “Deathcore” & “Djentcore” & fucking “Cantplayinreallifebutcanonacomputer-core” it’s just a NAME”

“People can call themselves WHATEVER THEY WANT- it’s fucking heavy metal- this sub-classifying shit is a pathetic attempt to say that you are re-inventing the wheel. YOU ARE NOT. ITS FUCKING HEAVY METAL. Get over it. “Djent”? ARE YOU KIDDING ME?”

“I can say that I am a fruit bat, copy fruit bat movements, & soon all my friends will too. Then we will have fruitbatcore. Can we fly? NO.”

“No, Meshuggah is NOT “djent”. Meshuggah is MESHUGGAH. FUCK.”

View Full Article »

Opeth – Heritage

Opeth

Heritage

01. Heritage
02. The Devil’s Orchard
03. I Feel The Dark
04. Slither
05. Nepenthe
06. Haxprocess
07. Famine
08. The Lines In My Hand
09. Folklore
10. Marrow of the Earth

[09/14/11]
[Roadrunner]

It was bound to happen sooner or later. All the pieces were in place, and the Swedish progressive maestros have shown shades of this sort of thing throughout their illustrious career. Indeed, Heritage lives true to its name, and sees the full exploration of Opeth‘s lighter influences. They say you need to look into the past to prepare for the future, and Akerfeldt & Co practice this philosophy in a manner that is refreshingly organic, unlike many who have attempted similar revisits to previous trend—hell, just look at the so-called ‘Re-Thrash’ scene and its many missteps. No, Opeth certainly know what they are doing, and to say that this album is a divisive one is putting it lightly.

View Full Article »

I recently purchased a subscription to Decibel Magazine. Several things contributed to my choice of a subscription, including the nostalgia of anticipating that monthly magazine delivery, those kickass exclusive flexi-discs, and the need within myself to further support and immerse myself in metal culture. Decibel is easily the best metal rag you can pick up these days, where they focus on relevant acts that actually matter to the metal community. If you open up Decibel, you won’t likely see much of the mainstream psuedo-metal that Revolver and Kerrang! often shovel. Far be it from me to be an elitist, but I’d rather read a magazine that does cover stories of Death instead of Bullet For My Valentine. What self-respecting fan of underground music wouldn’t?!

At any rate, this month’s brilliant cover story is all about Opeth‘s new album Heritage. Not too long ago, I came across a Finnish article surrounding the highly anticipated album and ran it through Google Translate, and took the gist of what the slight mess of broken English that was produced. I had concluded that the album was without growls or any of the signature Opeth death metal stylings, and instead was an adventurous look into main man Mikael Akerfeldt’s primary influences and listening habits; classic prog rock was to be the main flavor of Heritage. Of course, I maintained that I could have been slighly off-base, but it turns out that it isn’t the case. It’s true, according to Decibel.

View Full Article »

I’m becoming more and more interested in the art and science of producing an album-recording techniques, mixing, mastering, etc. You can read on the subject for hours and barely scratch the surface. With today’s technology and thanks to the Internet, anybody can record, mix, and put out an album very cheaply. This has definitely leveled the playing field between the ‘big time’ metal producers and the “bedroom” producers, which in itself is a very interesting topic that I may have to revisit in a future post.

But what I’m curious about is what you people out there want in a modern metal production.  Besides the obvious stuff like “I hate sterile sounding production” or “I hate triggered drums and autotune,” what sonic qualities do you need to hear done right in order to enjoy an album? What are some of the things that, when they are done wrong, either annoy you, drive you nuts, or full-on rape your eardrums in the worst way? Can poor production ruin an album for you?

View Full Article »

Check out this unlikely collection of cover songs released in promotion for the video game Homefront. It’s limited to 25,000 digital copies, so act fast!

As I Lay Dying – “War Ensemble” (Slayer cover)
The Dillinger Escape Plan – “Fight The Power” (feat. Chuck D.) (Public Enemy cover)
iwrestledabearonce – “Uprising” (Muse cover)
The Acacia Strain – “War Pigs” (Black Sabbath cover)
Periphery – “One” (Metallica cover)
The Ghost Inside – “Fortunate Son” (Creedence Clearwater Revival cover)
Winds Of Plague – “For What It’s Worth” (Buffalo Springfield cover)
Misery Signals – “Us And Them” (Pink Floyd cover)
Arsonists Get All The Girls – “Masters Of War” (Bob Dylan cover)
Oceano – “War” (Edwin Starr cover)
Veil Of Maya – “Sunday Bloody Sunday” (U2 cover)

Periphery covering Metallica? AGATG covering Bob Dylan? IWABO covering Muse? What’s happening to my world? Get it via the widget below”

- JR

Impiety

Worshippers Of The Seventh Tyranny

01. Worshippers Of The Seventh Tyranny

[01/24/11]
[Agonia Records]

Of all the bands in the world to announce that their next album would be one long 40 minute track, I never suspected Impiety. For those who are unaware of Impiety, they are a Singaporean band who play blackened thrash in the same sort of vein as Blasphemy, Morbosidad and Infernal War, sometimes falling in the realm of all those bestial NEKRO NUKLEAR KVLT TERROR bands but siding more with early Celtic Frost. It’s probably the best reference point, vocalist and sole original member Shyaithan invokes the gruff snarl of To Mega Therion era Tom G. Warrior and the whole song reeks of a very ambitious Hellhammer.

The idea of one continuous track is not a new one but it is one I feel that hasn’t been properly explored yet, take for example Pig Destroyer‘s Natasha. It’s an amazing exercise in stretching what is acceptable for a grind band and while it’s not uncommon for grind bands to flirt with doom, it felt new and exciting at the time. Worshippers Of The Seventh Tyranny takes on the idea in a new way, while there are lulls in the intensity of the record, it’s all relative and the record maintains a steady pace throughout. There is little of the throw away ‘funeral doom riffing’ that seems to plague other attempts at crafting longer songs, but what doom there is sounds more like a huge tribute to a sleazy Black Sabbath rather than the note-a-minute world of Ahab.

View Full Article »

Ozzy Osbourne is no doubt a heavy metal legend. Would metal have gotten where it is today without him and Black Sabbath? It’s hard to say, but without his influence, we might be looking at an entirely different landscape. Not many people can hold down a career of a magnitude of Ozzy’s after over 40 years, and the fact that he’s still out there touring is commendable. Regardless of what you think of Ozzy’s later material, the fact that the dude’s still performing heavy metal/hard rock and touring even into his 60s really shows his dedication. Surely, he could have retired by now if he didn’t care.

Because of this, we’re excited to be giving away a pair of tickets to the February 3rd stop in San Jose, CA at the HP Pavilion for Ozzy’s 2011 tour. All you have to do is email mail(at)heavyblogisheavy.com with the headline “Ozzy” telling us what your favorite Ozzy Osbourne related song (either solo or with Sabbath) is and why. We will select our favorite entry to get two tickets to the show!

If you don’t live in the San Jose area, we’re sorry! If you want to see if he’s coming to your area, check out the tour dates after the jump!

View Full Article »

Ghost – Opus Eponymous

Ghost

Opus Eponymous

01. Deus Culpa
02. Con Clavi Con Dio
03. Ritual
04. Elizabeth
05. Stand By Him
06. Satan Prayer
07. Death Knell
08. Prime Mover
09. Genesis

[Rise Above | 10/18/10]

Ghost are kind of peculiar. Hailing from the (arguable) Metal Mecca that is Sweden, Ghost offer a throwback to the early days of metal and hard rock along the lines of Black Sabbath with a classic rock sense of melodic catchiness. Not only that, the band is overtly trying to spread Satan’s gospel. Think Cheap Trick + Black Sabbath + Satan. To add to this peculiarity, the members of Ghost wish to remain anonymous. I’m not entirely sure if they’re serious or if this approach is done in a tongue-in-cheek manner, but Ghost deliver a much well received debut album in Opus Eponymous.

View Full Article »


Yesterday, the legendary Heaven and Hell released their Neon Nights: Live In Europe DVD. The convert was filmed last year, July 30th, in Germany in support of their album The Devil You Know. If you’re into classic metal this is a must have, as they not only played new material, they included Dio-era Sabbath hits like “Mob Rules” and “Heaven and Hell.” This is available right now, but we just might be giving away one free copy in the coming weeks. Keep an eye out!

The above video is a clip from the DVD featuring “Children of the Sea.” Dio still had it in the older age, unlike a certain other Sabbath singer who won’t be mentioned.

Give a look over the DVD’s setlist after the jump.

View Full Article »

Hey, Listen To Ghost!

We love to turn people on to good music at any chance we get, but sometimes the awesome bands we want to talk about don’t have any sort of news going on at the moment. We want to talk about them anyway. Looking for music recommendations? “Hey, Listen To This!” is the column to watch out for. – JR

Sweden’s Ghost is a bit of an oddball outfit. Sounding like a weird, but very attractive mix between Black Sabbath and Boston or Cheap Trick, Ghost combines doomy riffs and satanic lyrics with accessible pop rock melodicism in an attempt of spreading the word of Satan through a haze of catchy classic rock and metal vibes.

While this intriguing musical concept is a strange approach, perhaps stranger is the band’s well-kept secrecy behind the scenes. The members hide their identities, performing live shows under hooded cloaks. Their frontman is the only real personality that is given facetime, and even then, he performs in an eerie (yet straight up bonkers) priest get-up. You just know that you’re going to be fully entertained when you walk in to a Ghost performance.

This is strangely awesome.

Ghost’s debut album, Opus Eponymous, was released in October and has gathered a bit of a cult following, with their unique blending of styles capturing the attention of fans of several different genres; even my mother enjoyed the Ghost songs she heard.

Look for a review at some point. Here’s one of the album’s highlights (which is a bit of an understatement, since the whole album is so great), “Ritual.”

Ghosts’ Opus Eponymous is out now on Rise Above Records. HAIL SATAN.

- JR

Powered by WordPress. Theme: Motion by 85ideas.