Midas Fall – Evaporate

It’s difficult to know what to make of a band when they unequivocally fall into a certain genre and yet shirk all the features that seemingly describe membership to it. Post-rock has for so long now been wholly defined by its reliance on a handful of rehashed ideas that it…

Heavy Blog Guest List – Dreadnought’s Top 10 Albums of 2017

Editor’s note: Yes, it’s that time of the year again! While our own Album of the Year list is coming down the line, we have a ton of end of year content for you. Over the next two weeks, we’ll be exploring 2017 in various of ways: through curated summaries for specific genres, editorials on specific phenomena we found interesting and, of course, guest lists! This time around, we have one of the most exciting bands currently in operation: Dreadnought! Hailing from the by-now vaunted scene from Denver, Dreadnought traffic in the areas around doom metal, introducing influences from black metal, folk rock and progressive rock. Their albums are true monoliths of complexity and melody, with this year’s A Wake in Sacred Waves denoting somewhat of a high water mark for any bands wishing to work in the space of experimental doom. Their list is as diverse as you would expect; from the jazz styling of none other than the legendary Thundercat, through the blackened wastes of Ruins of Beverast and all the way back to the off-kilter musings of Bjork, their list draws from as many directions as their music does.

So, without wasting any more of your time, here is Dreadnought’s Top 10 albums for 2017!

Úlfur – Arborescence

No genre has experienced a more distinct shift in its cultural purpose than classical music. What was once the sole form of musical expression in Western culture has been largely relegated to specific roles in society. Modern classical certainly hasn’t lost any of its esteem, but in terms of popular…