Merkabah – Million Miles

The saxophone has become an increasingly en vogue addition to the extreme music formula. Ever since John Zorn bleated and honked over grindcore and avant-garde metal with Naked City and Painkiller, a growing crop of younger bands have demonstrated how to masterfully incorporate a jazz staple into heavier compositions. The sparsity of such bands should come…

Jazz Club Quarterly // April-June 2017

We’re back with more fantastic jazz from the second quarter of 2017! Unfortunately with the departure of staff writer and our friend Jimmy Mullett from Heavy Blog, it’s left a hole in our Jazz Club trifecta. Thankfully we were able to fill that void quickly with our buddy Dave Tremblay of Can This Even Be Called Music? Dave is constantly finding interesting and original stuff in the way of jazz and elsewhere, and we’re excited to have him join and help us recommend jazz of all stripes that demands your attention.

Soundtracks For The Blind: Burning Ghosts // Reclamation

At the beginning of this year I covered a band called Burning Ghosts, a sort of free jazz/rock hybrid who expressed their want for change in an instrumental fashion. Their debut was chaotic and noisy but at the same time a harbinger of hope, with trumpeter Daniel Rosenboom’s piercing tone breaking through guitarist Jake Vossler’s most riotous noise-making techniques. I noted in that article that “if I had known about this band earlier, I can almost guarantee that this would be on my top ten of 2016,” and I still stand by that. Musically, Burning Ghosts was a much-needed voice to the experimental music scene—their loudness was matched by the delicate control and virtuosity they put towards their music, and the addition of trumpet to the lineup offered slightly different sonic variations to enjoy. And, to my surprise/luck/excitement, Burning Ghosts is releasing their sophomore album Reclamation this month on John Zorn’s Tzadik label.

Heavy Vanguard: Red Krayola // The Parable of Arable Land

Let’s dive into our album this week: The Parable of Arable Land by experimental rock/psych band Red Krayola, made in collaboration with “The Familiar Ugly”—a group of the band’s friends. RK consisted of Texas art school students, and this “outsider” influence (i.e. not trained musicians) shows up in their music in the best way possible. Lo-fi? Check. Tons of tracks that sound like noise (referred to as “Freak-Outs”)? Double check. If you like your music psychedelic, experimental, and given to flights of all-out, Brötzmann-esque free jazz, this is your record.

Heavy Vanguard: AMM // Before Driving To The Chapel We Took Coffee With Rick And Jennifer Reed

Free improvisation is hardly a new subject on Heavy Blog; Scott and I have written extensively on the subject. However, we haven’t touched on some of the more interesting modes inherent in the genre—namely, EAI, or electroacoustic improvisation. The definition of EAI, along with most avant-garde “genres”, is murky at…

Heavy Vanguard: Naked City // Torture Garden

We’ve talked about John Zorn before on Heavy Vanguard (and everywhere else too), but not much about the project he’s most famously associated with: Naked City. Founded in 1988 and featuring a handful of the New York Downtown scene’s best players (Wayne Horvitz, Henry Cow’s Fred Frith, Bill Frisell, Joey Baron, and, later, Japan’s own Yamatsuka Eye) Naked City was on a quest to test the limits of a rock band format through a sort of free jazz/grindcore hybrid that played through nearly every style of music ever, all within a matter of seconds, referred to as “miniatures”.