Tag Archive: Asking Alexandria


The Rockstar Energy Drink Mayhem Festival is probably the biggest commercial metal tour in the United States since its inception in 2008. There was a point in my life when I would have loved the shit out of this tour, but I don’t see much to get excited for as far as my own enjoyment is concerned. Not to talk down on the tour or the bands on it; I’m glad there are more huge metal tours like Mayhem making their way across North America than there were when I was first getting into the genre. Hell, I wouldn’t even mind seeing Slipknot, as they’re a band that really pulled me into more aggressive music. I just can’t help but feel underwhelmed, you know? I’m busy being stoked on the possibility of catching Cannibal Corpse, BTBAM, The Faceless, and more on this year’s Summer Slaughter (which will be announced next week. God, I hope I’m right about that lineup).

But some of you are probably excited for Mayhem Fest, and that’s awesome. This year’s lineup is better than last year’s from where I’m sitting, and features Slipknot, Slayer, Anthrax, The Devil Wears Prada, Asking Alexandria, As I Lay Dying, Whitechapel, and High on Fire. Some of these bands are pretty awesome. Some of them.

After the jump, you can peruse the large list of dates to find your hometown or a city in close proximity!

- JR

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I normally complain too much about having to make day-long journeys in order to see a decent metal show. I didn’t take into account the few local shows we get in Pikeville, because I seldom actually go to them; I like metal, not country and buttrock. We did, however, get the vaguely metal Buried Alive tour, featuring the all-too stellar lineup of Avenged Sevenfold, Asking Alexandria, Hollywood Undead, and Black Veil Brides. I didn’t go to this show either, obviously. Apparently I’d rather spend a day of lost pay on the road with my money tied up in gas and hotel costs than go see this show, where I had passed the line to get in several times that very day. I’m weird like that, I guess. It sounds pretty stupid on paper, but it is what it is.

So, while in my hometown of Pikeville, KY, Avenged Sevenfold had apparently caught some of the stage on fire because someone couldn’t do their job correctly. As the pyrotechnics went off, their banner caught on fire, which forced them to stop the show until it could be put out. Apparently it was during this intermission when the crowd stopped to reflect on the show they had witnessed up to that point and realize that they were in a building where the aforementioned bands had actually performed, and just couldn’t bare to live with themselves any longer. The crowd had soon turned on Avenged Sevenfold, chanting in an amusing collective rural accent, “burn it down!”

M. Shadows pleaded with the crowd, saying, “if we burned it down, you’d go with it!” The crowd then cheers, letting their desires of death by fire being known. An honor killing if there ever was one. I mean, why else would they demand that the stage, and potentially the building, be burned down while they’re still in it? Surely they aren’t just fucking stupid? Right?

- JR

[I tried finding Stewie Griffin's version of this song, but apparently it isn't on YouTube. First time for everything I guess.]

I’ll try not to turn this into too much of a rant, but that’s basically what it is, so I hope you’ll forgive me some hubris on this one. I was spurred into though by The PRP‘s report of yet another monumental fuck-up by Guns ‘N Roses; during which Axl Rose cut short yet another show due to being pelted with stuff during a performance.

Why on earth would people – fans, even – who’ve paid good money for tickets for the show throw things at such a beloved figure and risk injury to his already damaged ego?

Oh yeah; because the show started three hours late.

I’m not saying it was definitely Axl’s – or even the band’s – fault on this occasion, because I don’t know, and the band came back out and finished the show eventually, but this certainly isn’t the first time Guns ‘N Roses have shown such mind-boggling unprofessionalism, so I wouldn’t put it past them (let’s face it though, it’s usually if not always Axl). If I had to stand around for three solid hours in hot (hotter than most of us are used t, it being Mexico and all) cramped conditions with a few thousand other people, all farting and belching and dehydrated, even for my favourite band, I’d be pretty pissed too.

My question is this: why do fans continue to put up with this shit? More specifically, what is your breaking point?

There are wider examples, including but not limited to live performance. We all heard about Asking Alexandria frontman Danny Worsnop making a dick of himself on stage back in April (although the rest of the band sorted him out), but we also have more recent incidents like Jonny Craig’s (it’s always the frontmen isn’t it?) criminal antics and narcotics problem forcing Dance Gavin Dance on hiatus until he gets his shit together, and, well, Metallica making big bags of utter shit.

Metallica aside (not so much behaviour as insanity), at some point these people will have alienated fans and caused their bands irreparable harm, yet they’re still going. I can’t stand this kind of arrogance and disregard for the fans who helped get them where they are.

I’m not really sure where I’m going with this any more, so I’m going to sign off here and let you get on with the commenting.

- CG

It seems that for every two or three respectable bands that Sumerian Records signs, they sign one terrible one. Now, I’m all for diversity and I enjoy seeing the massive fits of fanboy butthurt that sparked over the signing of Borgore and Bizzy Bone. However, it just strikes me as odd that a label as rooted in prog and tech metal as Sumerian is also home to a rapper, a brostep artist, and scene-friendly bands like Asking Alexandria, I See Stars, and now latest signings Make Me Famous, who were no doubt signed in spite of Metalsucks’ glowing recommendations.

As much as I hate to admit it, I can see the logic in it. Anyone in the same position as Sumerian would do the same. Mainstream success = money. Of course, the mass of Sumerian followers weren’t as keen to the idea and have given an apparently noticeable amount of negative feedback, causing Sumerian Records to make a statement on Facebook.

Two things to all you trolls, goblins and tunnel-visioned orcs: Bands like AA and ISS enable us to spend more money on bands like The Faceless and The HAARP Machine. It’s all part of the record label eco-system. We genuinely love AA and ISS just like we do Veil of Maya and Betraying the Martyrs. The younger, open-minded fans that bands like MMF and AA have end up discovering the more prog/technical metal bands Sumerian has been known for as they get older and everyone wins. Ask Born of Osiris and Veil of Maya yourself when they have toured with bands in that scene before. And before you pass judgement on MMF, wait until October 4th when you hear their first song be released that is officially on Sumerian. When AA and ISS were on Jimmy Kimmel, that was good for the entire family. We understand not everyone will like everything on a record label as big as Sumerian because we do not only sign one type of music. What we can promise though is the bands we sign outside of our “future of metal” roster will go on to be massive. Hate on AA but the band is bigger than every act on Rise Records and is direct support to Avenged Sevenfold, the biggest modern day rock/heavy metal band who came out in the past 10 years. You guys act like we sign 10 scene bands for every one BOO or ATB. It’s the other way around fellas!! Now quit bitching and go support Enfold Darkness! See them on tour with Obscura this fall! -Love, The Sphinx.

I couldn’t have said it better myself. As far as shitty acts go, I couldn’t see Sumerian pulling a Victory and signing anything as bad as Design the Skyline out the gate. The dudes at Sumerian aren’t dumb—it’s not like they’ve ever had The Faceless and I See Stars on the same touring bill. Their in-house booking agency tends to keep bands on their relevant tours and markets them the the appropriate people, so as long as I don’t have to hear or see Make Me Famous, I’m good. Also, I appreciate that Sumerian admits they do it for the money. It’s a no-brainer, really. There’s no shame in putting food on the table, am I right?

Disagree? Still want to complain about how bad Make Me Famous is? Mouth off in the comments. I’m sure they have an album due out soon enough, but I didn’t look into it enough to find out when.

- JR

Did you know that this week sees the first new Primus album in over a decade?! There’s some other stuff too, so soak it in:

Anthrax – Worship Music (Megaforce)
ÆGES – Roaches (Hawthorne Street)
Dream Theater – A Dramatic Turn of Events (Roadrunner)
Haste The Day – Haste The Day Vs. Haste The Day (DVD/CD) (Solid State)
Mogwai – Earth Division (Sub Pop)
Pathology – Awaken To The Suffering (Victory)
Primus – Green Naugahyde (Prawn Songs/ATO Records)
Staind – Staind (Atlantic)
The Devil Wears Prada – Dead Throne (Ferret Music)
Vader – Welcome To The Morbid Reich (Nuclear Blast)
We Came As Romans – Understanding What We’ve Grown To Be (Equal Vision)
Wolves In The Throne Room – Celestial Lineage (Southern Lord)
Wolves Like Us – Late Love (Prosthetic)

I sometimes wonder how Pathology feels being one of the only respectable bands still signed to Victory. I guess it’s sort of like that awkward situation where you’re talking with dudes who notice your obscure t-shirt and think they identify with you and insist on talking about how great Asking Alexandria are while you smile and nod.

That reminds me, I once had a guy ask me if I enjoyed Emmure after he found out I write about heavier music. The dude has a neck tattoo now. True story.

Have a good week!

- JR

Sumerian Records Signs Borgore(!?)

Making the latest edition to a roster that includes The Faceless, Born Of Osiris and After The Burial is Israeli dubstep producer Borgore. While Sumerian Records have made some questionable decisions in the past, some of them worse than others (*AHEM* Asking Alexandria*AHEM*), I’m not really sure what to make of this recent signing. Don’t get me wrong; when I’m in the mood for dubstep I go straight for the Borgore Ruined Dubstep collection, but it just seems like that sound has become an extended version of ‘flavour of the week’.

Then again, dubstep is essentially the deathcore of electronic music — loved by the masses and hated by the rest. I really enjoy it, but I’ll leave you to make up your own mind because this stuff is filthy; not just in the overused YouTube-comment sense of the word. This stuff is pretty disgusting. Check it out:

- DL

There’s a rumor gaining momentum around the nets that Canadian deathcore/metalcore band Structures are the newest signees for the tiny giant Sumerian Records. I’ve seen them around the web with the progressive deathcore tag, but there isn’t enough going on to capture my attention. The band have been gaining momentum over the last couple of years, touring with the likes of Periphery and Arsonists Get All The Girls, and while they hang with the right crowd that is conducive for the sort of music I’m likely to enjoy,  I’m not feeling them like I want to. It’s not that I think they’re particularly bad or anything—in fact, they’re much better than some of the other trite bullshit that has graced the label, like Asking Alexandria and I See Stars. At least with Structures, there’s a hint of progressive influence in their unpredictable song structure, which I can appreciate.

No disrespect to the dudes in Structures in the off chance anyone close to the band sees this; I’m stoked for the band getting signed and I’m glad their hard work paid off. They certainly don’t suck, but I’m not feeling them for the most part. I just feel like I can hear what they offer elsewhere with greater results. I can only assume Structures will have a release on Sumerian by the end of the year. Until then, I guess I’ll keep trying!

I now throw myself to the lions. What do you folks think about Sumerian’s latest addition?

- JR

This. Why does Sumerian and Asking Alexandria promote this garbage?

Not only does this not sound like the original song at all, it’s more annoying than the original.  Well done, Asking Alexandria;  you’ve successfully made your original music sound better than it is.

- GR

Derping Alexandria

Sometimes we get some absolute gems of e-mails turning up in our inbox. Most are your bog-standard press releases, review requests and interview opportunties, but every once in a while a subject line will catch your attention – a subject line like:

ASKING ALEXANDRIA Surprisingly Offered Opening Slot On Charlie Sheen’s “My Violent Torpedo of Truth Tour”

Surprisingly? Doesn’t quite cover it in my opinion, but then again, if you take a closer look and dissect the following e-mail, it begins to make a little more sense.

The UK hard rock sensation, ASKING ALEXANDRIA, have blazed a trail of debauchery across North America over the course of numerous tours and their lifestyle is now becoming infamous, which has been heralded by many mainstream publications.

“Heralded” in the sense that we’ve all heard how much of a douchebag Danny Worsnop has been of late, and to be fair, the rest of the band’s admirable handling of the situation.

The group’s recent Billboard top ten charting debut, high-profile Jimmy Kimmel Live! performance and reckless image recently caught the attention of representatives of the notorious troubled actor Charlie Sheen. He must have took a liking to the band as he personally extended an offer for them to be the opening act on his current “My Violent Torpedo of Truth Tour.”

A tour which, according to numerous reports, has had droves of people walking out of. Despite all the memes and comedy gold coming out of the man’s mouth, let’s face it: Charlie Sheen is a mess. He’s completely out of touch with ‘this particular terrestrial realm’, and that he considers Asking Alexandria worthy of his own particular brand of anarchy doesn’t bode too well for them.

ASKING ALEXANDRIA was extremely flattered by the offer and are big fans of Sheen, but unfortunately current touring obligations prevented them from accepting this high profile slot.

Probably true, but perhaps a shrewder move on Sumerian’s part that perhaps I’m willing to give them credit for. Distancing yourself from an ticking warhead like Sheen is a no-brainer really, but the excuse is a worthy one, and not a flat-out “dude…just…naw”.

The group would like to publicly thank Sheen for this special invite and promise him that the tiger’s blood runs deep in all of them. Sheen claims to be a rockstar from Mars, but the real question is if he can hang with these British titans. Hopefully their paths will cross one of these days. Winning!

Oh. Dear. Lord. But why do this? Let’s be honest: the Charlie Sheen meme has passed its peak; ‘winning’ is no longer winning, and Adonis DNA has been found to be super inbred. Forcing the funny is impressing no-one, Sumerian.

Worth a few Friday morning lols, before this week’s round of Rebecca Black parodies get going.

- CG

Asking Alexandria

Reckless and Relentless

01. Welcome
02. Dear Insanity
03. Closure
04. A Lesson Never Learned
05. To The Stage
06. Dedication
07. Someone, Somewhere
08. Breathless
09.The Match
10. Another Bottle Down
11. Reckless & Relentless
12. Morte et Dabo

[04/05/11]
[Sumerian Records]

It’s rough out there being an Asking Alexandria fan.  While I surely think they are better than their contemporaries (think Attack Attack!), it’s surely not something I prefer to listen to.  Their previous album Stand Up and Scream was a boring, uneventful chugfest with most of the music either being horrendously stereotypical generic breakdowns or cheesy below average techno. Given the fact that they are signed to Sumerian Records, a record company with a blemish-free line-up of quality bands (sans this band and I See Stars), you wonder why they are even signed to Sumerian in the first place when listening to their previous record.  Does this record show any sort of justification of them being signed, or is it more of the same tired equation?

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