For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.
No, there hasn’t been a glitch somewhere in the Heavy Blog matrix. This is a review of a Rings of Saturn album in the year of our egg, 2017. The sci-fi loving deathcore darlings (ahem) release another blast of widdly diddly death metal full of sweeps, synths and other worldly references too obscure for this writer to care about looking up. Look, if they are going to be lazy enough to record each note at a time then you won’t catch me doing the hard work either. In the few short years since Lugal Ki En was released, the world of technically leaning death metal has spawned some outrageously talented acts; Archspire and Inanimate Existence are the golden boys of tech-death, leaving breakdowns and breeing behind. Do Rings of Saturn still belong in a world that belongs to bands like this? Can they save the world from the alien invasion of tech-death newcomvers?
Those of you who like controversial topics, we’ve got them this week! Jay-Z gaming the RIAA with Sprint to make his latest album go platinum, Spotify creating “fake music” to game their own algorithms for profit (read this article!), Soundcloud laying off 40% of their staff, and the all-female music festival in Sweden. These take up a good bit of our time. We also discuss metal though! The new Archspire song (we manage to make this controversial too), new music from Stargazer, Contaminated, and Blind Guardian’s new live album. Speaking of live, Eden went to Be Prog! My Friend and somehow thinks we care about his adventures there, so let’s listen to him talk about Leprous, Mike Portnoy playing Dream Theater songs with Haken, Anathema, Jethro Tull (lol), Devin Townsend, Animals as Leaders, etc. We then reflect on how well Vildhjarta’s Masstaden has aged. Finally we discuss something actually fun, a.k.a. Spider-Man: Homecoming! Also Ratchet & Clank, I guess. Enjoy!
The past decade and a half has spawned a death metal olympics of sorts, becoming a competitive sport as drummers fight for the speed throne and guitarists fight to keep up. Origin completely changed the game with 2002’s Informas Infinitas Inhumanitas, forcing bands and especially drummers around the world back to the rehearsal room to practice tedious rudimentary endurance exercises. Despite their technical prowess, the band injected crafty and effective songwriting which only improved over the span of the four albums leading up to now. Unparalleled Universe is an exploratory affair that sees the band continue to reach beyond their carefully carved niche just enough to keep things interesting.
Fun times! This week we discuss a bunch of new music. Leprous, Tesseract, Archspire, The Haunted, Aborted, Cloakroom, and Fox Territory. Then we have some live footage from Zeal & Ardor, Spotify suffering losses, and Rolling Stone’s top 100 metal albums. Then we discuss the Transformers movies, and what makes a good villain. Enjoy!
While tech death has seen a consistent stream of high-quality albums over the past few years, it’s stood for a little while now that the genre presently seems to lack a globally identifiable vanguard of sorts. Meanwhile, bands that have traditionally occupied this role have since gone down a series of different paths: Necrophagist lay…
You like your metal techy? Particularly of the noodly tech death kind? Well, we’ve got you covered with Virulent Depravity! Featuring Malcolm Pugh of Inferi and Kevin Paradis of Mithridatic, Virulent Depravity are here to shred faces off. If you enjoy, Inferi or the melodic side of Spawn of Possession…
Metal and science fiction clash along various cultural axes. Their marriage begins with tone; both have a penchant for the wildly grandiose and imaginative personas, for personality writ large across a vast canvas. The juxtaposition continues along more “meta” lines, with both being adopted (or perhaps relegated to) the “geek”…
Though it may seem like we talked ad naseum about how fucking spectacular 2016 was in terms of new music, the fact remains that we saw more fantastic albums drop than we could seemingly keep up with. But just when we thought our palates were satiated, here comes 2017 with an excellent early roster of release announcements, some we’ve expected for a while and others that came out of nowhere. The following is a surely incomplete list of all the albums worth craving as we ring in the new year. Some of these albums have been fully announced with pre-order links and all that jazz, while others are merely probable assumptions based on various updates on social media. Regardless, these are all phenomenal projects worth looking for in the coming year. This is by no means an exhaustive list, and we encourage you to comment with some albums you’re anticipating so we can share in your excitement.
There’s a reason that musician autobiographies often contribute less to an understanding of an artist’s contribution than something written by an impartial third party. Such is the case with New Jersey’s Cognitive, who bill themselves as brutal technical death metal and whom their label, Unique Leader, describes as “thinking outside the box.” Tech death is a fairly ambitious genre and one in which the focus of the music is on, well, the technical nature of the performances. Listeners can expect the disorientation and whiplash that comes from multiple time signature changes and abrupt right turns. These are albums that aspires to invoke the current human condition: massive information overload. Cognitive’s recent release, Deformity, is not that album, as its strength comes from a solid roundhouse punch to the face.