Bleed From Within – Era

If the impending Bleeding Through comeback record represents the logical conclusion of the metalcore revival, then Era perhaps represents its pinnacle. Bleed From Within struggled to raise their heads above the pack during the genre’s heyday. 2018, however, sees them return with not only an A-grade record, but one which…

The Anatomy Of: As Oceans

North Carolina is an underappreciated hotbed of talent in the American metal scene, where bands like Between the Buried and Me and Corrosion of Conformity, among many others, have come up to inform the progression of their respective musical niches on a worldwide scale. It also doesn’t hurt that acts…

EXCLUSIVE PREMIERE: Stream and Obey The New EP From Hero In Error

It’s been a long time since I’ve watched They Live but I’m sure Rowdy Roddy Piper’s character would have proudly played this loud as hell. Hero In Error, back with a refreshed lineup, new music and bigger choruses than you’ve heard anywhere this side of a Mariah Carey Xmas compilation; ready to play riffs and chew bubblegum but there’s no bubblegum so… Riffs. With their brand new EP, Obey, the band punch into the rafters of anthemic, hard hitting metal and we have it streaming for you over the jump. Obey.

Polaris – The Mortal Coil

Australian metalcore scene has been in a bit of a sorry state these last couple of years. The once burgeoning scene that gave us the likes of Parkway Drive, I Killed the Prom Queen and The Amity Affliction (when they were still good), has produced markedly less world class acts over the past half-decade or so. Maybe it’s just because I got older, but contemporary pack-leaders Northlane and In Hearts Wake—while fine for what they are—seem to lack the spark and excitement of those bands who emerged in the genre’s heyday during the mid-to-late 2000s. Maybe it’s also because the local scene has seen a pivot toward the more extreme realms of deathcore, with bands like Thy Art is Murder and Aversions Crown proving the country’s most remarkable exports of the modern era. Yet The Mortal Coil only goes to show that there’s still plenty of mileage left in the supposedly well-worn Aussie metalcore tank.

Propagandhi – Victory Lap

Some music comes to you as rain into your sun-parched throat as you traverse a desert. Such is the vitality that music can bring into our lives. Some songs are as necessary to some people’s lives, if not sanity, that it reminds us why we love the art form. In…

Hey! Listen to Arteries!

Sometimes bands and promoters feel the need to cram their press-releases with ridiculous and nonsensical claims about being “counterculture mercenaries” who dish out “stomping alpha-wolf brutality”; how they are the “sonic equivalent of Christopher Nolan, David Fincher and John Carpenter making a Hammer Horror style movie together, set inside an…

Dispatches from the Port Phillip Bay Area – Into the Pit of Australian Thrash Metal

Due to the way we’ve decided to divide up the time zones, correspondence with an international audience from the humble southern continent of Australia often feels akin to looking into the past. Yet, despite this perceived futurism, Australian culture often trails its American and European counterparts by some distance. So it is that, while the northern thrash revival has come and (more-or-less) gone, the Australian metal scene is currently experiencing the biggest genre boom it has undergone since thrash metal originally emerged in the mid ‘80s. Back then, we brought our own quality acts to the fold, most notably in the form(s) of Mortal Sin and Hobbs Angel of Death, and the Allegiance in the ’90s. Yet, while the style had effectively remained dormant since then, the last five-to-ten years have seen an explosion in the amount of world-class thrash metal bands to have emerged from these southern shores.

TRACK PREMIERE: Get “Lost” in Lifelink’s Melodic Metalcore Goodness

Lifelink comes to us courtesy of Philadelphia record label, Innerstrength, having honed their particular take on metallic hardcore on their second release, Love Lost. The EP heavily features the guitar talents of Josh Brown and Kamran Oskouie, some might even say it relies on them. The track we’re premiering here, “Lost”, shows roots similar to those of Architects, Volumes, and Novelists, with some nicely worked exchanges from Brown and Oskouie as they switch from mid-tempo moshes to trading off leads amidst Dillinger-esque chords. Meanwhile vocalist, Luke Blanchard, stays firmly in the pocket between a growl and a yell which might belie the range he has developed since the band’s last release, Nothing, that came out in 2015.

Hey! Listen To Polaris!

Sydney’s Polaris have quickly become one of Australian’s most promising acts. The melodic metalcore crew certainly aren’t reinventing any wheels, but the sheer vigour and precision songwriting they bring to those templates previously laid down by the likes of Architects and Periphery render them entirely refreshing nonetheless. The band have just announced their debut, full-length album, The Mortal Coil, which is set to be released in November, and if the two singles they’ve release off the album so far are anything to go by, it’s going to be an absolute rager.