Tag Archive: ambient


This sounds pretty cool and this is coming from someone who really had no expectation of it.

-MK

I’m gonna hijack this post, because there probably needs more said about this. First double-author post? I think so!

So, Devin, you mean to tell me that BOTH Ghost and Deconstruction are going to be double albums, with 2011 having at least 4 albums worth of new Devin Townsend Project? Hell yes.

Ghost, as you can tell from the above clip, is going to be amazing. In an era where everything is done via digital plugins, and artist going outside and recording frogs and slide guitar in tunnels guerrilla-style is a rarity. It’s a nice change of pace, sure to contribute to the album’s overall aesthetic. This is going to blow Ki out of the water. We’ve yet to hear anything from Deconstruction, but I’m sure after writing all this ambient music, the next punch will definitely leave a mark. 2011, here we come!

- JR

The Heartland are one of those progressive whatevercore bands that like to do their own thing. They don’t care about the pressure to fit into a mold and conform to one genre, which is nice to see. I know I use this phrase too often, but this album goes all over the place. There are so many different influences going on in this album. At times, it sounds like Converge is opening at a Jimmy Eat World show. How about Between The Buried and Me playing with Explosions in the Sky? Hell yeah. This sounds like my kind of record. Speaking of BTBAM, The Heartland takes on a similar type of progressive song structure throughout the album, giving us chaos and extreme music with shifting time signatures and takes a break to be something much more beautiful, atmospheric, and catchy.

The vocals on Frontier range, but not too heavily. You have a Converge carbon-copy of a sort of mid to high-register that I’m not particularly that big of a fan of and then you have an emo/indie clean vocal style that accompanies the music at the time well without being too whiny.

The guitar work is excellent. The guitarist has chops, playing some shredding solos and chugging and grinding along in some complex time signatures and rhythms. Sometimes the band takes a step back and does a jazz or blues solo. Sometimes we get some ambient and atmospheric guitar lines with delay effects that lull us into a false sense of security.

This album is pretty climactic, but somehow it just seems too short for a progressive record. At the end I feel that there’s just more to be desired. I think when hearing this album, we’re hearing a band that’s just now getting comfortable with who they are and experiencing a growth in their sound. This album is pretty solid. I’ll be looking forward to hearing more from this band as they plant their feet and get more comfortable and progress as they move on in their careers.

Check out The Heartland at myspace and listen to one of the lighter jams on the album below.

Ursa Major

HBIH star-ratingHBIH star-rating half3.5/5

- JR

Monoliths & Dimensions

I am back, most likely temporarily from my absence. I’ve been having computer troubles and haven’t found the source, so here’s my review of the new BWOOOOOOOOOOOOOOOOOOOOOM.  Monoliths & Dimensions is the new release by the widely known Sunn O))). This new album both takes the band further into obscurity, and farther from it. In other words it evens out. It’s a completely fresh new release from a band known for only making heavy atmospheric music. It adds beautiful orchestral sections, and sections that are just bizarre and noisy and reminiscent of John Zorn’s dark ambient orchestral albums. The last track “Alice” is hardly a Sunn O))) track at all, and is very well made. If you didn’t like them before, listen to this. If you liked them before, listen to this, obviously.

Four droning Gibson Les Pauls, out of five.

-mw

Throw whatever you expected from Strapping Young Lad mastermind Devin Townsend out the window for this record. It’s different right from the beginning. Ki is the first of four albums that Townsend plans on releasing under the Devin Townsend Project. This album certainly does feel like it’s a precursor to a much larger concept, setting up a brilliant stage for things to come.

The album starts off peacefully with “A Monday”, which is a short ambient guitar track that sets the mood for the album so the listener knows what to expect. This track leads into “Coast” which starts out peacefully and melodically and builds itself up into the much heavier track “Disruptr“, which hits a climax and falls back down to a calmer ambiance before building us back up yet again through “Gato“, which sports a catchy chorus featuring a female vocalist. The way the songs flow with the rise and fall of the first couple of tracks lets the listener know right off the bat what this album is all about: restraint. This album definitely captures Devin’s bipolarity perfectly, but differently than his other albums. Devin starts out at peace, giving us beautiful ambiance, atmosphere, and melodic music. Over time, his peace gets disrupted somehow, and he starts to lose his shit. But somehow, unlike his last works, he takes a step back before taking it too far. Instead of going into a pissed off rampage as he did with SYL, he screams into his pillow and goes about business.

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