ALBUM REVIEW/PREMIERE: Lisathe – Lisathe

Covering music for the blog provides both an avenue for curation as well as a means of tracking stylistic movements in various scenes. We’ve used our platform to chronicle the evolution of dissonant death metal, the new wave of traditional heavy metal, progressive stoner/sludge/doom, and a myriad of other subgenres…

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Surachai – Come, Deathless

There are certain electronic artists who have logical crossover appeal with metal fans; Merzbow and Prurient immediately come to mind, as well as industrial-leaning acts like Author and Punisher. Yet, there are other purveyors of dark electronics whom I’ve always felt should have more fans in the metal community, specifically…

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Riverside – Wasteland

Warsaw’s Riverside return with their seventh studio album in Wasteland. Whereas 2015’s Love, Fear and the Time Machine sought to connect with sounds of progressive giants Ayreon and Opeth (who themselves are heavily influenced by the progressive music of the ’80s), Wasteland embraces something in between the progressive and psychedelic…

Hey! Listen to Ancst!

It’s not entirely unusual to see a metal band with an established sound take a left turn into new sonic territory. Adding a new subgenre tag, incorporating a synthesizer, or mixing up the songwriting playbook are fairly common, and often welcome. It’s a bit unusual, however, to see a band…

Soundtracks for the Blind // Jan Jelinek – Zwischen

Like the seminal Swans album, this column contains an eclectic collection of experimental music recommendations, all of which provide sonic landscapes for the listener to lose themselves within. Expect offerings from the genres of ambient, drone, electroacoustic, free improvisation, post-minimalism and more. … There’s nothing quite like being surprised by…