Tag Archive: All That Remains


Jamey Jasta – Jasta

Jamey Jasta

Jasta

01. Walk That Path Alone
02. Mourn The Illusion
03. Screams From The Sanctuary
04. Nothing They Say
05. Anthem Of The Freedom Fighter
06. Something You Should Know (feat. Phil Labonte)
07. Set You Adrift
08. Enslaved, Dead, or Depraved (feat. Randy Blythe)
09. With A Resounding Voice (feat. Tim Lambesis)
10. The Fearless Must Endure (feat. Zakk Wylde)
11. Heart Of Warrior (feat. Mike Vallely)
12. Death Bestowed (feat. Mark Morton)

[07/26/2011]
[E1 Music]

It goes without saying that your opinion of Jamey Jasta’s new solo album will have a lot to do with your current opinion of Jamey Jasta himself.  No one can fault him for his tireless work ethic and commitment to making music (he currently has three other bands; his main squeeze Hatebreed, as well as Kingdom of Sorrow and Icepick), but if you are not a fan of his other projects or his general vocal style, Jasta is not for you.

Jamey has claimed that these songs were ‘too different’ to put out on a Hatebreed, KoS, or Icepick album, thus electing to put them out on a solo album, but I’d argue that most of the tunes on Jasta would fit right in on an album from one of his other projects. It’s a fairly straightforward, fun album that is a bit hit-and-miss. If you are a Jamey Jasta fan you will enjoy it, if you are not you shouldn’t expect to be converted on this release.

View Full Article »

Across the Sun

Before The Night Takes Us

01. Tipping the Scales
02. Song for the Hopeless
03. Seasons
04. Descent & Discovery
05. Ghosts of Grandeur
06. Before the Night Takes Us
07. A Moment of Clarity
08. Blessing in Disguise
09. In the Face of Adversity
10. Belay My Judgement

[03/15/11]
[Metal Blade Records]

I’ve mentioned previously that it took me some time to get into Portland’s Across the Sun, and my sentiments are worth repeating; despite the cited progressive metal influence and labeling via recommendation, Across the Sun felt more like Killswitch Engage with keyboards and a more profound sense of melody and direction. This isn’t such a bad thing at all despite my slightly flippant tone, seeing as how I “grew up” on Killswitch (so to speak) and any improvement on that style is welcome. Good lord, is it ever welcome.

View Full Article »

Scale The Summit – The Collective

Today’s review was written by our reader Caleb McIntosh of the band Issachar (which also includes our very own Paul “Uncle Muscles” Meisner on guitar). Be sure to check them out on Facebook! They’re about to step into the studio next month to record their debut EP. Be on the look out!

Scale the Summit

The Collective

01. Colossal
02. Whales
03. Emersion
04. The Levitated
05. Secret Earth
06. Gallows
07. Origin of Species
08. Alpenglow
09. Black Hills
10. Balkan
11. Drifting Figures

[03/01/2011]
[Prosthetic Records]

In my opinion, both of Scale the Summit’s previous albums (2007’s Monument and 2009’s Carving Desert Canyons) are easily comparable to many of the string quartet pieces written by Haydn or Mozart. If you are looking for extended range music that is “heavy as balls” you might as well stop reading here. The musicians in Scale the Summit aim for one thing: beautiful music.

View Full Article »

[This edition of Bands That Made Me Heavy comes from my best friend Kaetlynn, whom everyone affectionately refers to as Kat. If you'd like to share how you got into the world of metal, we want to hear about it! Send an email over to mail(at)heavyblogisheavy(dot)com. If we like it, we'll post it!]

So I just recently came into the world of music that doesn’t just, for lack of a better term, suck. Though I still listen (and fight for) a multitude of older bands that seemingly everyone hates nowadays, I’ve grown accustomed to my new tastes. While I don’t hold a large arsenal of awesome music (Between the Buried and Me and The Dillinger Escape Plan to name a few), if it wasn’t for a few early bands that I magically found (and a good kick in the pants along the way) I’d still be listening to The Beach Boys and Creed.

I give credit to quite a few bands for helping me climb the ladder that led me to myself today: Slipknot, KoRn, All that Remains, Ill Nino. Since all of those have been done by now (thanks guys), I’ll jump onto one of my earlier ones, Disturbed.

View Full Article »

[Heavy Blog Is Heavy would like to announce its newest writers, Gunnar (DeusExMachina) and Tim (Amnesian). We've already heard from Tim, who reviewed This Time It's War's Terror Plots. Today, Gunnar talks about how he got into metal. Welcome guys! - JR]

I’ve had a very long road down the path to extremely innovative and unique material. The bands I now enjoy include Periphery, Tesseract, Volumes, The Crinn, Son of Aurelius, Shining, Quartered, Between The Buried and Me, and Arsis. However, without the aforementioned bands, I’d still be listening to terrible rap music like I was back in the early days of my existence.

Finding All That Remains is what I really consider to be the beginning of my metal days. I discovered them when they released The Fall of Ideals, an album I’ve considered seminal ever since its release. That band helped me get into numerous other bands, including another one of my old favorites, The Black Dahlia Murder, whom Shannon Lucas had since left to play drums for. This helped me get into metalcore, death metal, melo-death, and black metal. And from there, it was a chain reaction of sorts. With that came Blackened Death, Grind, Mathcore, Progressive, etc.

Thank god I found these bands before All That Remains released Overcome and …For We Are Many.  Those albums disappointed me so much. But you know what? I bought them, even though I knew that they were not that good. Because you know why? I still support them. Every time I can. For two reasons.

  1. I’m always hoping for a return to form. 
  2. Because without them, I wouldn’t be where I am.

And that’s how it should be.

- GR

All That Remains – For We Are Many

All That Remains

For We Are Many

01. Now Let Them Tremble
02. For We Are Many
03. The Last Time
04. Some of the People, All of the Time
05. Won’t Go Quietly
06. Aggressive Opposition
07. From the Outside
08. Dead Wrong
09. Faithless
10. Hold On
11. Keepers of Fellow Man
12. The Waiting One

[Razor and Tie | 10/12/10]

I remember back when I first heard All That Remains’ album The Fall of Ideals. That must have been the first CD I purchased without hearing the whole thing first. That album must be one of the best metalcore albums of all time, and it helped me form a gateway into heavier music. Unfortunately, much like an omen, the glory days of The Fall Of Ideals are gone. I guess that album didn’t make enough money, as the continuing trend of a downward spiral set forth by Overcome (which I actually somewhat enjoyed at the time) twists further downward in For We Are Many.

The most glaringly obvious thing about For We Are Many is the dated sound. While I can still jam to aped Gothenburg-style riffs from time to time when they’re done right, it seems the well has run dry and the songs on For We Are Many come across as if the band played a game of paint-by-numbers. The solos are nice and all, but it seems like they’re are only played because they think the solos HAVE to be there.

On top of that, I get the impression that they’ve taken what made them great and ran in either opposite directions and picked up from not only radio-friendly songs, but you also have a moment where the lowest common denominator of deathcore bleeds through on “Some of the People, All of the Time” where a breakdown slows the song to a crawl and Phil gets dangerously close to bree. Thankfully that doesn’t happen much at all.

View Full Article »

I used to be a huge All That Remains fan. The Fall Of Ideals was one of the very few albums I paid for before ever hearing the entire thing. The last album, Overcome, was just a tad bit underwhelming, but it was still better than the latest Killswitch Engage album, but that’s neither here nor there.

But you know what is here and there? The title track for All That Remains’ upcoming album For We Are Many, which is due out October 12th on Prosthetic Records. All you have to do is sign up for the mailing list via the widget below. The song is pretty solid and worth checking out if you’re into metalcore and ATR. It doesn’t have much clean singing either, which is pretty different from what they’ve been doing lately. So check it out!

- JR

All That Remains - For We Are ManyOctober 12th will see the release of the fifth album by New England metal (not so much lately though) act All That Remains. The new album is entitled “For We Are Many” and will most likely follow in the same suite of their last few releases. How do I know this? I don’t, it’s just my assumption of the band not really improving or progressing in their songwriting for quite some time, so I can’t see anything new coming from these guys. I personally haven’t listened to any of their albums since This Darkened Heart, I heard one song from Fall of Ideals and knew it was best to stay far away from them…. and I have yet to come back. Although, I will occasionally give a listen when they release a new track, but the usual outcome is the same… nothing much has changed. But enough of my opinionated ramblings, lets hear what vocalist Phil Labonte has to say about this artwork and what they hope to get from their new album:

“I’m really proud of the artwork for this disc, I wanted it to be heavy and let the art speak for itself. That was part of the reason for leaving the name of the band off the cover.” (yet, there it is… interesting) Labonte continued, “This is the first time I’ve had the idea for a cover before we started. Other discs, I would tell the artist, ‘I can tell ya what I don’t want, but I can’t tell ya what I want.’ Travis Smith is really cool to work with. He’d done ‘The Fall of Ideals,’ so I knew him and he’s great to work with. I’d told him what I wanted, and it came together pretty fast. Hope people dig it like we do.”

The artwork is alright. I do like the simplicity of it, nothing too crazy on the eyes, and it gives a sense of something dark and forbidding. I still have my doubts though, as artwork does not always equate to an album being great or even decent for that matter. I’ve fallen for that in the past and I do my best to avoid it nowadays.

- DA

Howard Jones had to leave the current Killswitch Engage tour for some reason (“unforeseen circumstances”). Instead of straight up canceling the tour like some bands would, KsE tap long tome bro in metal Phil Labonte of All That Remains.

Word on the street says Howard has had some kind of injury. But in the mean time, I think Labonte is the perfect Phil in (no more Phil puns–promise). He has a good voice, he’s friends with the band, and All That Remains is a better (imo) version of Killswitch Engage, so it should be a pretty decent tour for what it is.

Phil spoke of the situation on Twitter:

Yep, I’m singing for KsE until HoJo gets better. Not sure how long it’ll be but I’m here till they don’t need me anymore.

So there’s that. Here’s some video of KsE and Phil performing “The End Of Heartache”

- JR

[credit for the headline goes to Blabbermouth user tomelwood]

Powered by WordPress. Theme: Motion by 85ideas.