It’s hard to translate the meme of the Golden Age to post rock because post-rock’s Golden Age has come and gone. During my (Eden’s) end of year review, I’ll be exploring what 2017 has done to the narrative of the Golden Age in depth but suffice it to say, even…
We’ve spoken about A Thousand Arms a lot in the past few months and with good merit; as long as the label/collective continues to produce great releases, we’ll keep writing about them. Apparently, however, the people behind A1KA, as the label is known as, are talented musicians in and on of themselves.…
This is third Post Rock Post that has emerged from A Thousand Arms dropping their latest compilation two weeks ago and I don’t think we’re even half way through them. There are plenty of more bands I’d like so shine a more specific light on; we’ll get there. For now, we have what is perhaps the most important name in this list of newly discovered (for me) post rock and metal bands: Seeress. As if the track on the compilation, “Attractor’, which opens their latest album wasn’t enough, the text on the release itself reeled me right in. It works marvelously with the grandiose sound of the band, giving the vibe chilling context. Let’s head on over the jump for a listen, a read and then, a discussion.
Hello! A little over a week ago, I informed you that good guys A Thousand Arms are back with yet another incredible compilation. Side A of Open Language Vol. II, with which the last post was mainly concerned, focused on post rock and metal bands from the good ol’ USA. We dug deep into the release finding plenty of gems hidden without it. Now, I’m back as promised to take a close look at Side B, which collects post rock and metal bands from all over the world. This side caught me a bit unawares; it suffered from a slightly lackluster opening half. However, there are some bands almost hidden as a reward for the careful listener near the end of the volume that more than make this side a must listen as well. Let’s dig in!
A while ago on the blog, we were acquainted with a label/printer/collective called A Thousand Arms. We heard of them via a compilation they released, containing post rock tracks from all over the world. That was then; this is now. Since that time, they’ve released another compilation, much heavier and more oriented towards post and black metal, collaborated with us to create our first run of blog t-shirts (more on that, hopefully, very soon) and geared up work with this year’s Dunk! Festival. Now, never seeming to rest for too long, A Thousand Arms have released Open Language Vol.II. The first part focuses on post-rock bands exclusively from the US, while the second brings you tracks and bands from all over the world. We thought we’d give you a little primer for this insane amount of free music. Oh yeah, didn’t we mention? It’s all completely free!
Has there ever been a more aptly named compilation that A Thousand Arms’s Erosion? Probably named, as this compilation is filled with tons of geographically diverse stoner, doom, and everything in between. You have your feedback based meditations on the farthest reaches of space/the psyche, the heavier thundering of crashing waves on cliffs and the decidedly dipped in the good leaf. Most of all though, A Thousand Arms continues its efforts to bring to the light of day more obscure and less optimally located bands, shinning a light on some names you’re bound to find surprising and, hopefully, pleasing. As the compilation, which is divided into two sides, features tons of music, we’ve taken the liberty of being your guides. Let’s get started!
The annals of post rock will look kindly on the somber parts of the genre. In the past few years, they’ve been some of the most prolific, drawing on the once-not-obvious proximity between post rock and post metal. These bands, like If These Trees Could Talk or Outrun the Sunlight, create an atmosphere that is darker in its shadings than the post rock of the mid 2000’s, relying on booming drums and thick bass to garnish their delayed guitars. Into this context burst Astralia, a Barcelona based band with three albums to their name. Their most recent effort, released just a few days ago, sees them polish their style and cohesion. On Solstice, Astralia make a worthy addition to the realm of ponderous post rock and all the intonations one might expect from that label.
A few months ago, I received an email about a post-rock compilation. Naturally intrigued, I started to dig deeper. Apparently this compilation was focused on the idea of “global” music, featuring bands from all across the world. As I kept digging, I soon came across A Thousand Arms, the label behind the compilation but also a repository for merch and other album releases from some of my favorite bands including We Lost the Sea among others. Naturally, I was intrigued and I started speaking with C.J who manages the label alongside another partner. What exactly was the motivation for this compilation? What is A Thousand Arms exactly, if not a label in the traditional sense?
These questions led me to finally sending C.J. a few questions over email as an interview, to try and get some answers. His answers are posted below, unedited, and represent an interesting look into a part of the music industry fans might not always get a glimpse of. Read on for musings on post rock, post metal, global communities, live music and much, much more!