Tag Archive: 3 Inches Of Blood


I just love 3 Inches Of Blood. I wouldn’t call myself a fan or anything, but I do get stoked when I hear them because they’re just so over the top that it’s just fucking awesome. Every time I hear ‘Deadly Sinner’, I get too into it and sing along in that Halford-esque high falsetto scream. It’s like Manowar without the overt homoeroticism; I’m talking beers, beards, and heavy metal songs ABOUT heavy metal. That’s something I can get behind.

Maybe there’s a chance they’ll make a full-blown fan of me yet with their new album Long Live Heavy Metal, which is due out March 27th on Century Media Records. Here’s what the fittingly named Cam Pipes had to say about the new record:

“When a band is releasing a new record, they often speak about it being their most important work or best album to date.  Regardless of how clichéd either statement may sound, I think we would say both apply to this album. All of us have a special feeling about this one.  We’re more committed than ever to the cause of real, honest, no bullshit heavy metal.  No trends, no fucking around!”

Starting in late March, 3IOB will be embarking on The Metal Alliance Tour alongside Devildriver, The Faceless, Dying Fetus, Job For A Cowboy, Impending Doom, and Wretched. Dates for that can be found after the jump.

- JR

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I realize we’re about a week late on covering this tour announcement, but we’re (or at least I’m) getting a bit lazy this month. With a year’s worth of an average of 26 or so posts a week, cut us some slack!

Next year’s rendition of The Metal Alliance Tour is shaping up to be pretty cool, featuring the likes of DevilDriver, The Faceless, Dying Fetus, Job For A Cowboy, 3 Inches Of Blood, Impending Doom, and Wretched. I’ve seen The Faceless, JFAC, and 3IOB live before, and they all deliver. Can’t speak for the rest of the lineup, but I couldn’t imagine they’d be anything less than decent. The tour kicks off in March and makes a pretty decent run, so hopefully everyone who wants to catch this show has an opportunity.

Here are the dates:

03/15 Austin, TX – SXSW / Scoot Inn
03/16 New Orleans, LA – The Hangar
03/17 St Petersburg, FL – State Theater
03/18 Charlotte, NC – Amos’ Southend
03/20 Baltimore, MD – Sonar
03/21 New York, NY – Gramercy Theater
03/22 Danvers, MA – Palace Ballroom
03/23 Montreal, QC – Club Soda
03/24 Toronto, ON – Opera House
03/25 Columbus, OH – Alrosa Villa
03/26 Joliet, IL – Mojoe’s
03/27 St Paul, MN – Station-4
03/28 Winnipeg, MB – Garrick Centre
03/29 Regina, SK – Riddell Centre
03/30 Edmonton, AB – Edmonton Events Centre
03/31 Vancouver, BC – Rickshaw Theater
04/01 Seattle, WA – Studio Seven
04/03 Portland, OR – Hawthorne Theater
04/05 Oakland, CA – The Pound
04/06 Pomona, CA – Fox Theater
04/07 Tempe, AZ – Marquee Theater
04/09 Denver, CO – The Summit Music Hall
04/10 Omaha, NE – Sokol Auditorium
04/11 Des Moines, IA – 7 Flags Event Center
04/13 Memphis, TN – New Daisy Theater
04/15 Lawrence, KS – Granada Theater
04/16 Tulsa, OK – Cain’s Ballroom
04/19 Dallas, TX – House Of Blues
04/20 Austin, TX – Emo’s East
04/21 Houston, TX – House Of Blues

- JR

Things That Are Fucking Metal is new series of satirical comedy pieces that explores what makes metal so fucking metal. So hold tight and cut out the bitching, as it’s a joke. I know it’s sort of ruining the experience if I make it obvious, but I know there will be butthurt. So without further ado…

Metal is the musical equivalent of piledriving a shark, and much like shark piledriving, it should be left to the men to take care of. It takes testicular fortitude to write some deep introspective lyrics and pissed off music. Sure, we’ve all heard the saying, “Hell hath no fury like a woman scorned.” Yeah, that would be true if you want to listen to a song about bullshit Facebook drama and how poor their self-esteem is. No one wants to hear that shit. Get the fuck out of my office. Metal isn’t for people who get extremely butthurt and emotionally unbalanced for five days out of the month. I’ll admit, bleeding is one of the manliest and most metal things one person could do, but not when it isn’t caused by something awesome like a barfight or a motorcycle collision. The fact of the matter is chauvinism and metal go hand in hand. You can’t be metal without being manly. This is a fact of life and if you disagree, I will slap your shit.

Sure, you could make the argument that metal is a sausage festival, but did you ever stop to think that this is no coincidence? You bet your ass you didn’t, because you’re a dipshit. Women in metal are doing one of the two following things:

  1. Being eye candy
  2. Ruining it

Just look at Winds of Plague and their constant cycling of disposable female keyboard players. They could easily stick a man in that spot and get some real work done, because men have the natural instinct of getting shit done. But no, Winds of Plague are trying to scrape the bottom of the barrel and attract the lowest common denominator while trying to hide the fact that their music isn’t very good (which isn’t working, by the way). You know what happens when you have a woman in metal? They do stupid shit like taking topless pictures of themselves and stirring up drama where it doesn’t belong. Show some class, for Christ’s sake. You’re making yourselves look bad.

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Inspired by GroverXIII of TNOTB’s series of posts regarding nu-metal, Heavy Blog Is Heavy will be counting down the top five reasons why the genre of deathcore isn’t totally full of shit. If you want to throw in your two cents and call me out on missing out a gem that this genre has to offer, mouth off in the comment section. If you thought this week was too much, just wait till next week when we give you Five Reasons Why Deathcore IS Total Shit. Enjoy!

So far…

#5. The Red Chord – Fed Through The Teeth Machine

#4. Arsonists Get All The Girls – Portals

#3. The Faceless – Akeldama

#2. Between The Buried And Me – The Silent Circus

This is it, the end of our countdown for the week, and I leave you with what I hold in regard as the best deathcore album ever.

Ever?

Yes. Ever. Stick with me here.

Back in 2008, All Shall Perish dropped what has since been held in regard as their opus, “Awaken The Dreamers.” Both melodic and technical (with a tiny bit of prog thrown in), this album is actually pretty epic in the grand scheme of things in its dark atmosphere and vibe. There’s some actual songwriting and superb musicianship being displayed here, in a place I once thought didn’t exist at the time of my first listen.

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If you’ve been reading these posts, then you would have known by now that so far, there haven’t been any REAL metal bands yet in my listening habits. That all changed when my best friend at the time saw that I was getting into heavier music and recommended me a more melodic metal band to get me started: In Flames.

Normally when I check out bands, I grab the newest album. I don’t know why I do this, as time and time again I’ve seen bands slip downhill as their catalog goes on. The newest In Flames album at the time was Come Clarity. It took me some getting used to, as it was the heaviest thing I’ve been intently listening to. On first listen, it was just a bit too much, but it grew on me when I began to soak in the melodic guitar lines and hooks and dissect all the layers. The duet with clean female vocals in “Dead End” had me addicted, and the song “Take This Life” got constant repeated listens as time went on.

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In Flames, Between The Buried And Me, The Faceless, and 3 Inches Of Blood will be touring the United States this fall. The lineup screams of win and kickass. I’ve seen In Flames live and thoroughly enjoyed the show. I have BTBAM’s Colors_Live DVD and that’s a pretty rad show. The Faceless perform perfectly, but according to Mitch they just kinda stand there. I’m not a fan of 3 Inches Of Blood, but they’d be fun to see for sure.

Only one date has been announced so far, and that’s 9/21 San Francisco, CA @ The Regency Ballroom.

If they come close enough to where I will live, I’d sell my left testicle to get there. The tour doesn’t have an official name as far as I know, but I’m dubbing it Radfest ’09.

- JR

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