Category: Live


Hevy Music Festival is one of the UK’s newer heavy music festivals – this year’s will be the 4th iteration – but it’s growing ever stronger by the day. With the relative elder statesman Download catering towards the ‘bigger’ bands these days, it now falls to the likes of Hevy to give smaller or less-known acts their time on the summer stage.

Today saw the first announcement of this year’s lineup, with no fewer than fifteen bands being released – and good lord does it look like it’s going to be fantastic. We have ConvergeWill HavenProtest The HeroDeaf HavanaA Wilhelm Scream, Verse, The Chariot, Deez Nuts, Set Your Goals, Trapped Under Ice, Pianos Become The Teeth, Balance and Composure, Sharks, Last Witness, and Crocus. I mean holy fuck, right? I’ve heard maybe two thirds of these, and I’d happily watch them, if not actively go just for them. Converge put on an amazing show, The Chariot are so entertaining to watch, and the likes of Crocus will represent home-grown talent.

You can definitely expect one of us to be there. Tickets are £96 for the weekend, including access to the attached animal park (!!!) and you can check out all the relevant information at the website. Expect more as announcements are made!

- CG

Tool really know how to put on a show.

I don’t get to go to a lot of shows these days. Part of it is my location, sure; Toledo gets maybe a handful of good tours a year, and I only know of a couple of good local bands, but it’s also because I’m an old man and a responsible adult, with a full-time job and a wife and kid and house and whatnot. I’m not complaining, of course, but I do enjoy concerts a great deal, so I guess going to one every year or so makes it that much better. It helps when the bands playing end up being the likes of Between The Buried And Me and, in this case, the almighty Tool. For this show, I recruited my old concert-going buddy Raybob (not his given name, at least not fully, but I’ve called him that as long as I can remember, so we’ll roll with it), whom I hadn’t gotten to see in nearly a year, and we rolled out to the Huntington Center.

I hadn’t actually been to the Huntington Center before, even though I live in Toledo, mostly because I haven’t gone to any of the Toledo Walleyes‘ hockey games. From what I hear, the place is actually pretty successful as arenas go, which is nice. After paying ten bucks to park in a lot several blocks from the arena (it was fifteen a half-block closer – score!), we hoofed it to the arena and made it in good time. From there, we got in with little hassle and headed up the stairs to the second level. After wandering the entire perimeter because we misread a sign, we discovered that the staircase to the top level was, in fact, right behind us where we had first come up to the floor, and feeling a bit silly we climbed once more.
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- JR

Being that Mercyful Fate are my favorite metal band of all time, this is pretty damn awesome. James shuts up and we don’t get any bullshit from Kirk.  It’s basically King Diamond with a table shouting randomly into a mic. This is part of those Metallica anniversary shows where they invite people way better than they are to play with them. This is pretty special since they not only got Mercyful Fate to come out of hiding but King Diamond has been in a pretty bad spot health wise.

- MW

The almighty Ihsahn (ex-Emperor frontman turned prog solo project) played a headlining set in Tokyo this week with one fan capturing the whole set in surprisingly high quality. If only more fan bootlegs were this good, we’d never have to go to shows—WELL, we should go to shows regardless because that’s a band’s bread and butter along with merch sales, but you get the point; bootlegs are handy for shows that are simply impossible to see otherwise. When’s the last time Ihsahn was in America for a legitimate tour? Certainly not since before After was released, unless I somehow missed it.

Anyway, what I’m getting at is that if you’ve been neglected by touring acts like I am and yearn to see Ihahn live, feast your eyes on the above hour+ Ihsahn set, supported by the band Leprous. Ihsahn couldn’t have found a more appropriate backing band. I just wish SHINING‘s Jorgen Munkeby were there to play saxophone on “A Grave Inversed“! Oh well. Otherwise, everything is absolutely glorious. Someone tell Ihsahn to put out a live DVD, because I’d buy it in a heartbeat.

Speaking of Ihsahn, there’s a new solo record out in 2012. This sends tickles to my nethers, and if it doesn’t tickle yours, you need to hear 2010′s After and re-evaluate your tastes.

- JR

As any regular reader of this piece of webspace knows, I live near the eastern tip of Kentucky, near the border of West Virginia. This geological environment doesn’t typically attract metal acts, so I have to drive four hours in any direction to see a decent metal show. So imagine my surprise when I drove out to Louisville, KY for Born of OsirisThe Discovery Tour to end up in a shithole worse than my own home town. I’m talking destroyed trailer parks, several shady porn stores, bars, and strip joints PER STREET, and where the local metal venue doubles as a flea market, where not hours before the show, there was used furniture lined up in front of the stage where I was to be standing soon enough.

This was literally a block away from the venue.

It was a charming place, and my fear of getting mugged was only second to how nauseated I still get prior to interviewing bands. I spent the hours leading up to showtime with two friends of mine, browsing what could have been bootleg DVDs, getting sick at White Castle (where we awkwardly shared our meal with a sheepish homeless man, who was rudely yelled at by an employee), and anxiously awaiting the arrival of French deathcore band Betraying the Martyrs, where I was to interview bassist Valentin Hauser (coming soon!). I’ve got to say, Betraying the Martyrs are one of the most humble and friendly bands I’ve ever had the pleasure of meeting. Their live show decimates, but a little more on that later on.

Now, I wasn’t given one of those neat and coveted laminated passes or anything, but since I was in the venue before any of the band members and I was seen interviewing Valentin earlier, I just hung out in and around the backstage area and was never asked to leave. I meandered about, bouncing between watching Born of Osiris soundcheck to befriending the young local opening act of the evening, deathcore band Internal Affliction, who were out back anxiously gathering their equipment. Being on the inside really gave me a first hand look at what goes into production, and it’s not an easy task. This evening was to be riddled with technical difficulties, which was foreshadowed by Logic crashing on BoO’s Mac during soundcheck. I overheard a member of Carnifex (his name and position escapes me) chuckle, “this should be interesting.”

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Anyone who reads our humble ramblings on even a semi-frequent basis will know of our love for Devin Townsend. I don’t think there’s one of us on the staff who doesn’t have at least a passing interest in him, and so when it was announced that his Devin Townsend Project would be playing all four albums of the now complete series in a run of special dates in London, I knew that attendance of at least one was compulsory. Being that Deconstruction is by far and away my favourite of the four, this date at the University of London Union was always going to be the one.

The extra treat was that support was to come from Norway’s own Shining, whose stunning 2010 release Blackjazz made a number of our top ten lists, and I had it on excellent authority that they are extremely tight live.

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Those of you who were with of last year will recall us talking about Minneapolis progressive metal band Iron Thrones on a fairly regular basis. They won Metal Insider and Scion’s 2010 No Label Needed contest, thrusting them into the dingy, single-swinging-bulb-in-a-seedy-backroom-esque limelight of the internet’s metal community, and then released the critically acclaimed EP The Wretched Sun, which was the result of the prize process.

Since last summer things have been pretty quiet. A couple of things have changed; Vocalist Adam Clemans has grown out his hair and beard. Bassist Curtis has cut his and moved to guitar (what is this, Vogue?). They did a couple of tours – one with Last Chance To Reason and another with Hero Destroyed – but fear not; they’re still around, still working, and still kicking all kinds of ass.

Most recently they opened for Cynic and 3 in St. Paul, Minneapolis on their nationwide tour. I’ve heard excellent things about this tour, which for the most part has also included Scale The Summit, who our good friend Quigs of The Number Of The Blog said killed it in Toronto.

Anyway, some splendid person recorded the entirety of Iron Thrones’ set (as well as Cynic’s and 3′s) for our viewing pleasure, and it features a couple of songs each from The Wretched Sun and their first record Visons Of Light.

After the jump, live versions of Cynic’s “Carbon-Based Anatomy” and 3′s “My Divided Falling“, and both sets are available on mplsmetal’s YouTube channel. Both bands are still on tour with three more dates on the west coast of the states, before Cynic head to the other side of the pond to hook up with Britain’s Chimp Spanner and France’s Hypno5e, both of which are fucking awesome bands, so not to be missed.

- CG

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EDIT: Looks like MetalInjection pulled the video :(
The marriage of Cynic and acoustic instruments is an idea I had never thought about much, despite hearing it on their Re-traced EP. Now that it’s out there, it seems like a pretty awesome idea that really needs to happen more often. Apparently they thought so too, as the band performed a short acoustic set at Idle Hands in NYC, which was captured by the diligent videographers at Metal Injection. You can watch them perform “Veil of Maya” and “Evolutionary Sleeper” above.

Also, it’s apparently hard to stay on the ball when bands release new songs that we on this side of press machine have already heard. Case in point: Cynic debuted their haunting new song “Box Up My Bones” on the always awesome NPR. It’s grown to be one of my favorite Cynic songs, as you’ll no doubt hear why. Their new EP Carbon-Based Anatomy is excellent work, and you can purchase it next week on November 15th when it sees its North American release on Season of Mist.

- JR

Axl Rosenberg has just made my day. Faith No More have been busy touring everywhere except the United States (BUT WHY?! FUCK), and while in Argentina of all places (YOU MEAN THERE’S MORE DEMAND FOR FNM THERE THAN HERE!?!) they played a mysterious song that no one seems to be able to place. Unless it’s something super obscure, it doesn’t appear to be a cover. Could it be a new Faith No More song? It certainly sounds like it is. If so, I am beyond excited. A new Faith No More record would make my decade. Here’s hoping!

- JR

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