It’s pretty incredible to reflect on how much Kvlt Kolvmn has grown over the last couple years, especially when it comes to how consequential it’s been for Heavy Blog’s coverage of the vast web of metal subgenres. What began as an outlet for me (Scott) to occasionally ramble about my…
Happy Halloween, 2017, from your nefarious friends at Kvlt Kolvmn! Hard to imagine a better day for this column to land near, what with all the ghouls, spirits, demogorgons and Eleven’s traipsing around with their sugar receptacles and real world terror encroaching from every corner of this planet. God, what a miserable year in so many ways. Thankfully, that misery has not extended into the world of black metal, which continues to drop sensational releases month after month. October is no exception. This month saw the release of several exceptional albums that not only continued to solidify the importance of black metal’s existence as one of the premier subgenres within the metal universe, but also its ability to offer complex, fierce statement of countercultural urgency. That last component is important for one particular album that screams thoroughly against some of the prevailing philosophical dogma that runs rampant in the darkest corners of the subgenre. Despite the most truly reprehensible portions of its collective ranks, black metal can indeed speak the language of justice. But enough talk. Let’s metal.
Black metal. What does it even mean anymore? The internet kerfuffle over Sacred Son’s album artwork for his eponymous debut once again presents the age old question of what is and isn’t “trve”. For myself, I consider this argument to be a bit superfluous. Technology advances, society shifts, tastes develop and refine, and the definition of whatever is pure in art alters itself with the times. Sure, there are specific tropes that make black metal what it is, but that in no way means that this subgenre does not have room for development while maintaining the sinister core of what makes black metal, well, black metal. I would go toe-to-toe with anyone who claimed that Leviathan, with all its genre-mashing opulence, was any less fundamentally evil and true to the spirit of black metal than, say, Bathory or Mayhem. This may be sacrilege to some, but I’m sticking by it. There is plenty of room in this style of music for madcap experimentation and growth, and stifling that because an album’s art doesn’t include corpse paint is beyond ridiculous. Now that I’ve offended just about everyone, on to the delights of September! Once again, Scott and I have curated a list of black metal records for you that both fall into the traditional format of the subgenre, and also transcend its confines into more experimental territory. As always, please argue, caterwaul, and protest in the comments and provide us with the albums you found the most intriguing in the month of September. Enough exposition. Let’s get down to it.
Welcome to the latest installment of Kvlt Kolvmn! Another amazing month, another installment attempting to capture it all. Our apologies for most assuredly failing in this regard. Nevertheless, a fairly large amount of black metal blasted through our ear holes since our last installment, and we are here to share our favorites with you. Believe you me, there were some good ones.
Welcome back to Kvlt Kolvmn! Another month, another insane amount of premium black metal. For the second month in a row, Scott is back in the saddle, churning out sterling recommendation after sterling recommendation. Hell is most pleased with his offerings, and all is again right in the black metal world. In a similar fashion to death metal releases in July, I was skeptical regarding how many quality albums we would hear this month. Let’s be real: July is relatively awful for new releases across all genres of music, but can be especially brutal for metal. On most fronts, July 2017 proved me wrong by unleashing upon us some excellent black metal records that are not only worthy of a solid listen, but are some of the most accomplished to be released this year. Scott and I are happy to share these records with you, and hope you enjoy them as much as we did. So, without further adieu, into the ninth circle we go.
Well, it’s been a minute, but we’re back with a vengeance for another installment of Kvlt Kolvmn! Hope you didn’t miss us too much. But hey, who am I kidding? Of course you did. You may notice a different, less handsome and syrupy voiced face attached to our beloved Kolvmn this month. I know, major disappointment. I will be assuming the writing of this column for a bit, but never fear! I will try my best to live up to Scott’s sterling reputation for excellent black metal picks. That’s why we’re here, and what I intend to deliver to your anxious ears. Because it has been a few months since our last installment, we’ll be covering releases from both this and last month that are worthy of mention. So buckle up and prepare yourself for some black metal madness!
Well, third time’s a charm, I guess—this here is the third consecutive installment of Kvlt Kolvmn Take Two, a monthly round-up of my favorite BM releases from the past 30-ish days. The only reason I’m surprised I could fill the column out this month is because of relatively little time I spent with black metal this month; there was just way too much incredible music coming out from virtually every other genre (seriously, if you haven’t yet, take a read through this month’s Editors’ Picks). Still, the black metal I did listen to was some of the best I’ve heard so far this year, with one album currently in the running for my BM AOTY. So without further ado, let’s dive in:
Here we are folks – the second installment of Kvlt Kolvmn, Take Two, a monthly round-up of my top 10 favorite BM releases from the past 30 28 days. While I fully intended to make this an actually recurring segment, all of my time spent digging for new black metal has kept me stoked to come back here with new recommendations. It seems like every week I find a handful of new, invigorated albums that either venerate or progress one of my favorite genres. I will admit that February was a bit sparser than January, and I spent most of the month yearning for some big name albums dropping in March (more on that next month). Still, there was no shortage of great BM in February, and I’m excited once again to not only share these albums with you, but to also see your suggestions of releases I’ve missed out on but are definitely worth a spin.
When I originally launched Kvlt Kolvmn back in 2015, my intention was to create an HLT-style outlet for all of the noteworthy releases I find while digging around for underground black metal. But as you can tell by the singular installment linked above…that didn’t end up happening. I never stopped my constant conquest for new BM, though, and I figured a new year would be a great opportunity to compile all of my findings in one place and jot down why I think they’re absolutely worth our readership’s time and attention. So here we are with Kvlt Kolvmn, Take Two – a monthly round-up of my top 10 favorite BM releases from the past 30 days. There’s a fair amount of variety here in terms of where these bands/one-man projects are from and the music they’re churning out, and my hope is you’ll find at least one of these albums worth your time (and, potentially, support). And while this might be self-explanatory, please comment with any releases I’ve missed out on but are definitely worth a spin.
Kvlt Kolvmn covers noteworthy, unpretentious “trve” releases from the realms of black, death and doom metal. No one should be surprised that “eco-metal” is now a thing. Black metal and nature have been bedfellows since the genre’s inception, with Wolves In the Throne Room’s Cascadian hippy-shtick following a long lineage of bands channeling the atmosphere…