Post Rock Post – Years of Rice & Salt

There are musical moments in your life which change it immediately; you’re thunderstruck as an album which you just know will accompany you for years plays for the first time. This happened to me this week when a good friend recommended what he called “one of the most well kept secrets of post rock”. Now, I’m a simple man: if I see a title based on a science fiction book (The Years of Rice and Salt is an alternate history novel written by science fiction author Kim Stanley Robinson), I click. And goddamn, am I happy I did. Years of Rice & Salt haven’t released a lot of music but what’s there is simply masterful and none is more masterful than “Nothing Of Cities”, their 2011 release. It’s a moving piece of cinematic post rock which, somehow, manages to be small, moving, grandiose and epic at the same time. It’s crescendo based post rock that still has a heart and direction. It’s simply wonderful.

Post Rock Post – Anathème

These French delay aficionados certainly deal with the intimacies of build up and crescendos but do so in a way that is infected with a kind of cheery optimism that’s hard to resist. The main comparison point has to be Alcest. Fūjon is almost like a dirtier Shelter, doing much to better the formula of that album by injecting the production and composition with a bit more life and meat.

Post Rock Post – Orellana

Welcome folks, to the first Post Rock Post of 2018! At the new year’s birth, there’s a distinct feeling of hope and expectancy of the future. Many people would ridicule this feeling and while I understand that urge, I would rather embrace it. There’s so much suffering in this world;…

MMXVIII – Pelagic Record’s Fantastic Year And The Depths Yet To Come

We’ve had our eyes on Pelagic Records ever since the label was started around the post metal powerhouse that is The Ocean. Their mission seems to be the quality release of anything hovering around the post metal and rock monikers, extending their fingers into dark folk, electronic beats and more. While Pelagic has been doing great things over the years since their founding, 2017 seems to have been a true watershed for them. From stellar releases (with names like Lo!, Labirinto, LLNN, pg.lost and many more) to new signings (like Ancestors, one of my favorite doom bands of all time), Pelagic has been all over the map of the metal community. Nothing drives home their upwards momentum more than a compilation they themselves have released, in conjunction with Visions Magazine.

Post Rock Post – Echotide

You might be wondering why there have been so many of these lately. Some of it has to do with backlog; post rock is a notoriously hard genre to parse, sparse as it is, requiring more time from my ears to translate into words. But some of it is also to do with the sheer amount of interesting post rock that has been released this year. The true beauty of the volume of releases is its quality and variety. There have been great releases from more “classical” post rock bands, like Heron or Ranges, as well as releases doing new and interesting things with the formula, like Afformance or This Patch of Sky. Alongside these younger bands, we’ve also seen the successful return of massively important bands like sleepmakeswaves and Mogwai who have continued to grow their sound and solidify their legacy.

We’ll cover these trends more in depth as we near the year’s end but, for now, it’s safe to say that there’s a spirit of revival running through the oft-beleaguered genre. Adding to this revivification which, if we’re being honest, properly started last year or even a year before that, are Australian Echotide.

Post Rock Post – Afformance (Again, again!)

Yes, I know I’ve just written one of these posts where I said I rarely dedicate one to the same band but it’s really not my fault that bands we’ve already covered here keep releasing amazing music. It probably is my fault, however, that the format of these posts didn’t really take that into account. I’ll say a few prayers to a delay pedal in penance. For now, let’s talk about Afformance again. These guys, based in Athens, Greece, peddle in the most cinematic and expansive kind of post rock. Thing is, they make it work, standing high above the cut in the sea of mediocrity that has unfortunately come to categorize this brand of post rock in the past few years. Just last month, they released two albums: Pop Nihilism and Music For Imaginary Film #1 and while the former is just fine the latter is where I’d like to focus today.

Post Rock Post – Salvya (Again!)

It’s rare that I dedicate two Post Rock Posts to the same band; usually, they’re all about new artists operating within or around the post rock genre. However, sometimes artists change their sound so much from album to album that I feel as if they justify another entry in the same column. Besides, this is Heavy Blog; when have we been super strict about our definitions and categories? With these things in mind, let me update you as to Salvya and how they’ve been doing. I first wrote about this Israeli band over two years ago; they were gearing up for Unrecognizable then, an ethereal album that was firmly rooted around progressive and post rock influences and a strong main vocalist. Last week, the band released Impostor Syndrome and let’s just say there have been some changes. Head on over the jump for an example.