Post Rock Post – Below A Silent Sky

Below A Silent Sky is a fantastic example of great desert rock. Hailing from Germany, they add to the ever-increasing number of great bands from western Europe (Stone From the Sky and Hubris. to name just two) who are working in the spaces between post metal, post rock and desert rock. Their March release, A View From Afar, weaves these influences into a heady elixir which moves between heavy hitting chords, spaced out meditations and prolonged sojourns in tremolo-picked leads. The opening track, “The Highest Shrine”, contains all that and more; the beating heart of the arrangements, the dynamo behind the vehicle that is Below A Silent Sky is, unsurprisingly, a great groove section. Both the drums and the bass are groovy as all hell, adding a certain slickness to the fuzzed out chords and poignant guitar leads.

Post Rock Post – Years of Rice & Salt

There are musical moments in your life which change it immediately; you’re thunderstruck as an album which you just know will accompany you for years plays for the first time. This happened to me this week when a good friend recommended what he called “one of the most well kept secrets of post rock”. Now, I’m a simple man: if I see a title based on a science fiction book (The Years of Rice and Salt is an alternate history novel written by science fiction author Kim Stanley Robinson), I click. And goddamn, am I happy I did. Years of Rice & Salt haven’t released a lot of music but what’s there is simply masterful and none is more masterful than “Nothing Of Cities”, their 2011 release. It’s a moving piece of cinematic post rock which, somehow, manages to be small, moving, grandiose and epic at the same time. It’s crescendo based post rock that still has a heart and direction. It’s simply wonderful.

Post Rock Post – Anathème

These French delay aficionados certainly deal with the intimacies of build up and crescendos but do so in a way that is infected with a kind of cheery optimism that’s hard to resist. The main comparison point has to be Alcest. Fūjon is almost like a dirtier Shelter, doing much to better the formula of that album by injecting the production and composition with a bit more life and meat.

Post Rock Post – Orellana

Welcome folks, to the first Post Rock Post of 2018! At the new year’s birth, there’s a distinct feeling of hope and expectancy of the future. Many people would ridicule this feeling and while I understand that urge, I would rather embrace it. There’s so much suffering in this world;…

MMXVIII – Pelagic Record’s Fantastic Year And The Depths Yet To Come

We’ve had our eyes on Pelagic Records ever since the label was started around the post metal powerhouse that is The Ocean. Their mission seems to be the quality release of anything hovering around the post metal and rock monikers, extending their fingers into dark folk, electronic beats and more. While Pelagic has been doing great things over the years since their founding, 2017 seems to have been a true watershed for them. From stellar releases (with names like Lo!, Labirinto, LLNN, pg.lost and many more) to new signings (like Ancestors, one of my favorite doom bands of all time), Pelagic has been all over the map of the metal community. Nothing drives home their upwards momentum more than a compilation they themselves have released, in conjunction with Visions Magazine.