Felix Martin has and will always be a unique trailblazer for progressive and world fusion music. This Berklee-trained virtuoso taps out Latin-inspired riffs and melodies across his custom multi-fretboard 15 and 16 string guitars to create challenging compositions and unique performances. Martin’s new self released record Mechanical Nations is out now, and…
2016 has been chock full of great releases, some of which we (sadly) missed out on. We can’t post about everything or we’d be up to necks in content (first world problems, I know)! One such release is Oni’s Ironshore, a progressive album that’s extremely cohesive and endearing. Rooted firmly in complexity, Ironshore nonetheless manages to evoke melody, emotion and conviction. Listen to “Kanvas” for example: amidst breakneck keyboard work, intricate guitar lines, harsh and clean vocals, hides an honest emotional streak that runs throughout the album and ties it all together.
Seeing as the album is so intricate, we thought we’d get the band to shed some more light on the influences that make them tick as musicians. We hoped it would give us more insight into what seems like another, incredibly strong addition to the annals of modern progressive metal and boy, we got more than we bargained for! Head on below to read their in depth and enlightening list in one of our personal favorite Anatomy Of posts!
Coming out of the void of potential and inactivity, Painted in Exile released one of the more powerful and emotional progressive metal albums of 2016. Drawing heavily on many clear influences within progressive metal, The Ordeal nonetheless also contains much of the theatrical, the jazz-y and more. Thus, inviting the band to write an “Anatomy Of” article for us was somewhat obvious, an organic attempt at delving the musical depths which we recognized behind their release.
The melting pot of musical inspiration that is Umea in Sweden is one of the hottest around. Cult Of Luna will forever prop up piles of history with their unique experiments in metal and story telling. They whet just about every appetite out there with their sonic musings. Moloken make music that branches of from Cult Of Luna’s inspiration itself. Taking a new form and leaning harder on more primal urges and feelings, their brand is thick and somber… but expansive and foreboding too.
When we premiered the video for “Beginning of the End”, we helped showcase a drifting, bittersweet musical piece. One that was a chillingly perfect finale to All Is Left To See. The album itself is it’s own entity comprised of twisting, turning pieces. Curiousity got the better of us and we had to ask the band themselves just what kind of inspirations took them to this point, musically.
We have (along with the rest of our niche of the community) been singing the praises of Astronoid for quite some time now. If you’ve never run into the name, imagine what would happen if you take a dream and then crash-landed it into a thrash metal concert. The guitars go fast, the drums blast away but the vocals are clean and soar high above the music. In composition as well there is a marked style, a bright, lazy, honey-slow drip that just pulls you right in. It’s like a hot, summer day when you were a child and the hours drew out in the long, dark tea time of the soul (as one Douglas Adams puts it) into a pastiche of nostalgia, fear, hope and dreams.
What goes into such a broth? How does a band like this come to be, seemingly emerging from nowhere to revolutionize what we thought was possible within the somewhat stale confines of thrash? Instead of speculating, hear it from the band themselves! We reached out just after our interview and asked the band our fateful, Anatomy Of question: what made you the musicians that you are today? More specifically, which musicians contributed to how you write, think and perform music? Below you can find styles ranging from progressive pop to Norse metal and much in between. Blast Air in the background and get ready to dive into what makes Astronoid tick.
Watching a band develop over the years is a privilege that is hard to describe. But I’ll give it a shot. A few years ago I caught From Sorrow To Serenity on a stacked line up in one of Glasgow’s smaller metal venues. Their showmanship, technical ability and music left me with no doubt that the band were heading places.
Skip forward a couple of years and their first full length has been released. Remnant Of Humanity is a colossal groove train of a record. Snapping up guest appearances from members of Bleed From Within, Betraying The Martyrs and Thy Art Is Murder, the album has been spun on national radio, spread all over the worldwide metal blogisphere and has the band supporting deathcore heavyweights Fit For An Autopsy on their upcoming UK tour. I pestered Steven Jones, the axeman and dial wizard from the band about where the From Sorrow To Serenity took shape. Bonne.
In the kaleidoscopic jigsaw puzzle of King Moat’s sound there are flitters of deviance and disorder. Deviance from current genre troupes. Disorder stemming from the unpredictable nature of each progressing passage of their music. At it’s most primitive, it’s mean. At it’s heady heights, unnervingly addictive.
As many of you Heavy Blog readers know, we’re nerds. And we love being nerds. This may come as a shock to some of you, actually, but to the majority, you’ll instantly recognize us as fellow nerds. I mean, who’s really the audience for heavy metal anyway?
That said, it’s always a wonderful thing when powerful musicianship and straight-up nerdery come together to form something so utterly fun and enjoyable. Which is why several of us are big fans of Dan Behrens, more commonly known in the musical world as Danimal Cannon! Or Armcannon, if you’ve been following his work for some time. You may remember Dan from his recent premiere of “Behemoth” from the forthcoming Lunaria, but we were also lucky to have him on our 2014 Heavy Blog is Heavy year-end compilation with “Red Planet.”
Welcome to our artist-written feature on Heavy Blog, “The Anatomy Of”. Taken from the Between The Buried And Me album of the same name — in which the band pays tribute to the artists and bands that they feel have most inspired their songwriting — it’s a feature in which we…
Aegaeon’s brand of spacey, heavy deathcore hits hard in all the right places: their powerful combination of reverberating, washed-out leads and almost over-the-top chug-heavy rhythms carries a planet’s worth of weight behind it, and it’s certainly earned them quite the following. Tracks like “The Integral Path”, the band’s newest single, show…