If you’ve followed Heavy Blog over the bast few years, you’ve likely noticed our affinity for Australian post-rock quartet sleepmakeswaves. We highlighted them in our Taxonomy on modern visionaries in their genre; listed their latest album Love of Cartography as our sixth favorite album of 2014; and even wrote them a Love Letter. With their latest album Made of Breath Only on the horizon, William France – one of our very own Aussies – spoke with bassist and keyboardist Alex Wilson about the upcoming record, the band’s politics and crowdfunding.
There are some punk bands that still manage to subvert the grand cliches, both musical and stylistic, that overtook punk. One of those bands is Canadian hardcore/punk/experimental heroes Fucked Up, a band who has never shied away from pushing punk to its very furthest limits, effectively achieving the goals punk initially set out to accomplish. Recently I was lucky enough to talk to their drummer Jonah Falco about exactly what inspires Fucked Up to constantly push the boundaries of punk music, as well as their most recent release, Year of the Snake.
Tangled Thoughts of Leaving is one of the most interesting post metal bands out there. From the far reaches of Perth in Australia’s wild west, their heavily improvised and experimental sound draws from sounds as diverse as jazz, drone, prog and much more. A very difficult band to categorise, their…
In 2015 we told you that Chaos Divine had the goods, and today we’re lucky enough to speak with them. Starting off as something of a melodic death metal band, Chaos Divine have gradually evolved into the progressive/alternative rock sound which Australia has become famed for. We speak with them about their fantastic 2015 release Colliding Skies, their experiences with crowd funding, the Australian scene, what it’s like being a band from the isolated west coast of the country and, of course, eggs.
Today we’re joined by none other than the mercurial Gods of Eden from Sydney, Australia. These progressive metallers earned a rave review with 2015’s exceptional debut LP From The End of Heaven, a release which found itself right up there on our 2015 end of year list and helped inspire our Beyond the Veil column. Grandiose compositions, enchantingly technical guitar playing, cinematic soundscapes and diverse vocals are the name of the game here, and we’re predicting big things to come from these guys. Without further ado, let’s get into it and see what they have to say about the concept behind their debut, what their new album will sound like, the Australian scene and more!
Known internationally for his work with Shearwater, Smog/Bill Callahan, the Angels of Light, Swans, and Devendra Banhart, Thor Harris is also a legendary craftsman whose woodworking skills are apparent in the handcrafted percussive instruments he employs – Monofonus Press. Our latest piece in this series on protest music and art is an interview with Thor Harris, he of the crushing soothing percussive sounds behind Blog faves, Swans, and lately more notorious for having been banned from Twitter for either a video on how to punch a Nazi (don’t do it unless you have to) or for images used on his profile. YMMV.
As you may have noticed, over the past month or so we’ve been interviewing a series of Australian artists, and we’ll continue to bring those to you this month. Today we’re lucky enough to be joined by Andy Marsh, guitarist in Australian deathcore outfit Thy Art is Murder. The band have been making waves on the international scene for some time now and are one of Australia’s more successful exports. Vocalist CJ McMahon has recently reunited with the band and a new record is on the way, so we spoke to Andy about that, their split EP with Fit For An Autopsy and The Acacia Strain (available here), Australia and more. Enjoy!
Today we’re joined by none other than Michael Gagen, guitarist extraordinaire at bands you may have heard of, like hazards of swimming naked and (ex-) Arcane, and bands you’ve probably never heard of, like Echotide, agrammeofsoma and more. We don’t know which of those bands you’ve heard of, but we…
grindcore faces yet another renaissance as it moves further into this new territory, driven by bands such as Ed Gein, Full of Hell, and Column of Heaven, where it is almost the most coveted form of artistic expression in extreme music. For these acts’ aesthetic, poetry and more weave into their frightening sonic assaults, marking a strikingly human approach to a genre that once sat so far out of boundaries it was almost untamable. And, finding their place in this new wave of artsy-fartsy (said with all the love in the world) grind band’s is Philadelphia’s own Die Choking, a band who prides themselves on their relentless blend of death metal, grindcore, and crust leanings.
Last week we spoke with Brendan Brown of Infinite Density, Ne Obliviscaris and Vipassi fame, and today we’re joined by another very special guest. His bandmate in two of those projects, the inimitable Ben Boyle, contributed vocals to Infinite Density’s debut 2016 release Recollapse of the Universe, and guitars and composition on Vipassi’s debut EP Śūnyatā. As well as those two projects, Ben is the mastermind behind the experimental grind band A Million Dead Birds Laughing (got to be the best band name ever, am I right?), and is perhaps best known for his role as a guitarist and songwriter in the death metal band Hadal Maw. Every single one of these projects is creating art of the highest quality, and they absolutely deserve all of your time.