Harsh Vocals: A History

Perhaps the most definitive element of metal is the growling, shrieking, rasping, inhuman snarls we call harsh vocals. Certainly, there are genres of metal that don’t use harsh vocals, and they’re no less “metal” for it. But a full-throated death growl, rumbling and ominous, erupting from a cranked pair of…

The Devil’s Roots: Thelema in Metal

If a poster was created of famous devil-worshippers then Aleister Crowley’s face would no doubt be near the front and center. Despite not actually being a Satanist, Crowley’s “wicked’’ deeds placed him in league with the Dark Lord in the eye’s of the public back in his heyday. However, he was a practitioner of Thelema, a spiritual philosophy of self-empowerment that’s often lumped in with the glorification of evil much like Satanism has been throughout the years. And like old Beelzebub, Crowley and heavy metal fit together like a hand in glove, and his influence in heavy music can be traced all the way back to the genre’s earliest years.

At The Drive-In: 20 Years, 15 Releases and a Hell of an Influence

At the Drive-In was unlike any else I had ever heard; they had a sense of angst that was so perfectly channeled that it barely seemed angsty somehow. It was raw emotion, but wrapped in ribbons and bundles that allowed it to be easily digestible, even more so than the Dischord Material I idolized (and still do). The band was artful and careful with how they did everything and, at the time, it seemed revolutionary. Now, some 4 or 5 years after that first initial meeting, I am sitting here re-visiting their discography in full, struck not only by its timelessness but by the band’s sonic evolution from release to release. Below is an exploration of those releases, their inner workings, and why they have retained such heavy, influential status among the post hardcore community.

Flesh & Metal – The Unholy Marriage Between Metal and Video Games in Doom’s OST

Doom’s 2016 revival was a glorious success, both in popular acclaim and game-avid, technical circles. Its soundtrack, a marvelous, metallic creation by Mick Gordon, was a big part of its success. hy metal though? What about the game’s story, mechanics and design creates such an affinity for metal music in general and the specific kind of metal utilized on the soundtrack (namely extremely percussive, 8 string guitars, dark, electronic ambiance and larger than life production)? More than that, how does metal facilitate Doom in creating an atmosphere, a unique visual and aural signature that is then translated into vibe, strong delivery of emotions to the player and narrative?

What Heavy Blog Is Really Listening To – Playlist Swap – 1/13/16

Even a cursory glance of our biweekly “What Heavy Blog Is Really Listening To” posts will reveal that there is a great deal of variety among our staff’s musical tastes. Due to this, we brainstormed the idea of “Playlist Swap,” another biweekly segment that takes place between playlist updates. We randomly select two of the participants from each update, have them pick their favorite track from each of the nine albums in their grid and then send the list over to the other person to listen to and comment on. Within these commentaries occurs praise, criticism and discovery, and we hope that you experience a few instances of this last point as well. This week’s post has Scott and Jordan duking it out again, in what will surely be a battle for the ages:

Die Choking – Taking Grindcore in an Artistic New Direction

grindcore faces yet another renaissance as it moves further into this new territory, driven by bands such as Ed Gein, Full of Hell, and Column of Heaven, where it is almost the most coveted form of artistic expression in extreme music. For these acts’ aesthetic, poetry and more weave into their frightening sonic assaults, marking a strikingly human approach to a genre that once sat so far out of boundaries it was almost untamable. And, finding their place in this new wave of artsy-fartsy (said with all the love in the world) grind band’s is Philadelphia’s own Die Choking, a band who prides themselves on their relentless blend of death metal, grindcore, and crust leanings.