In case you missed it, we announced a couple of months ago that Heavy Blog will be sponsoring Post. Festival, the US’s only (and thus also premier) major post-rock/metal/whatever festival on October 19th and 20th at Indiana City Brewery Co. in Indianapolis, IN. The festival is shaping up to be an incredible event, featuring the likes of The Appleseed Cast, Outrun the Sunlight, Heron, This Patch of Sky, and far more. I wanted to talk to the festival organizers about what fans can expect from the weekend, about what makes holding a post-rock festival in the US a more daunting challenge than in Europe, and about why they believe the genre of post-rock is as strong as it’s ever been and only getting stronger.
Welcome to Connecting the Dots, the column where we give a brief rundown on a central band along with a host of other projects their members, both past and present, have been involved in. Today we’ll be focusing on progressive sludge powerhouse Mastodon and the myriad of projects they’ve been involved with.
I’m honestly warming up to the idea of using this series to introduce you to new bands; after all, what description of the band’s music could ever live up to the band themselves talking about the influences which made it be? With Bleeth, fresh of the release of their debut full length album titled Geomancer (it was released just last Friday, the 24th of August), it’s a double pleasure since I don’t just get to introduce you to a band but an excellent one at that. They deliver the kind of emotional doom/stoner/psychedelic that we’ve come to expect in 2018, replete with great riffs, moving vocals from two complementary vocalists, and an overall dedication to momentum that lies at the core of what makes this kind of music work.
There are few albums I can remember anticipating as much as The Amity Affliction’s sophomore effort Youngbloods (2010). My friends and I were stoked its very Bring Me the Horizon-esque lead single,
If you’ve followed Heavy Blog over the last few years, you’ve likely noticed how much we adore the output of Art As Catharsis. This year alone, we’ve seen phenomenal albums ranging from the nu-jazz-fusion of COAST to the artsy chamber pop of Lack the Low to the blackened, deathly metalcore of Bridge Burner. I’ve long…
Being a music journalist can be wonderful. For one reason or another, not everyone can make it as a musician, but music journalism offers others an opportunity to connect with their passion in a way many only dream of. The opportunity to receive promotional copies of albums from their favourite…
Welcome back to Genre Genesis. For newcomers, here’s a brief overview of how this works. Four of the other editors – Nick, Scott, Jonathan, and Eden – have partners who are, shall we say, not nearly as invested in heavier music as we tend to be, and so their knowledge…
Honestly, I knew I was in for a wild ride when I asked Netherlands to write this post for us. If you’re still unaware of these guys, let me introduce you: they’re from Brooklyn. They make a kind of poppy sludge that takes Torche and feeds it through a grinder, belching it out some sort of neon pink, noxious and incredibly groovy weirdness from the other side. They’re also don’t take themselves too seriously, infusing plenty of their music and its surrounding aesthetics with lots of self-deprecating and society-deprecating humor. Oh, and they’re also incredibly hard-working, having released an album and an EP in the last two years and now gearing up for Black Gaia, which comes out on the 24th of August and a tour with none other than legends Mastodon and Dinosaur Jr. You can head on over to their site for dates and a pre-order thing.
Telepathy have recently released live footage of “Celebration of Decay” from one of these said festivals, Dunk!Festival. You might recognize the name from our seemingly endless coverage of bands which operate in the sphere of Dunk!’s influence, seeing as they are one of the lodestones of post-rock and metal today. Their presence immediately sparked our fascination and once again pointed to their rising popularity, drawing us towards the performance and how it was received. It also helps that this is one of the best tracks on Tempest and that the performance is top notch. Put all of these things together and you get this post, which, beyond including the clip from the performance itself, also has a brief chat with Richard Powley of the band about this show, the future of the band, what comes next and how they feel about what’s happened for them so far. Read on below for excellent post metal and an interesting peek into its European scene!
We here at Heavy Blog are proud to have been saying “what the hell is in Australia’s water?” for at least five years now. The music scene over there has been blowing up for at least that long, if not longer, creating some of the most innovative, crushing, intriguing and just plain excellent music in the world. To these by-now hallowed annals we can add Cancer, a black metal band that’s all about ambiance, abrasive tonality and depressing atmosphere. Hot off of their second release, Into the Heartless Silence, Cancer seem poised to add to the growing plethora of excellent black metal being made today, offering their own version on the formula with their own off-kilter and disharmonious touches to composition.
Naturally, hearing more about what makes such a band tick, since they seem to fuse black metal with a whole lot more influences operating in the background. And, indeed, when you look at the picks that John Pescod (vocals) included below and their write ups, you find classical black metal influences alongside more discordant and twisted takes on the classic genres. Thus, without further ado, we consign you to the able hands and vocal chords of Pescod, for a dive into what makes a modern black metal band work. Don’t forge to also head on over to the band’s Bandcamp below to listen and order the album. You won’t regret it.