Category: Editorials


Metal is much more varied than people give it credit for. Sure, from the outside it might look like a bunch of dudes being evil and playing music that is faster and more technical than necessary, but once you’ve seen how deep the well goes, the breadth and scope of the genre is quite obvious. Far be it from me to preach to the choir about the endless array of subgenres with their own niche flourishes, though. I love this music dearly, and its esoteric nature just makes it that much more special to me.

Since I’ve delved into the world of metal and have fallen into my own specific tastes, nothing has gotten me more excited over the years than metal bands who can pull off wild leaps in genres of music. I’m talking about a pivotal moment in a song where the band throws convention and their own signature out of the window for a moment and explores their own brief rendition of anything from jazz to funk and country. I’m not sure why, but these moments of genrebusting (as I like to call it) is easily my biggest draw to progressive music, and I can’t get enough of it.

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So it seems my post about getting White Arms of Athena more recognition for Summer Slaughter alongside Fallujah didn’t do much despite the buzz I noticed around the page thanks to you dudes. It just wasn’t enough, I’d imagine. We gave it the ol’ college try though, so that’s something! But this time, we really need to go all-out on this.

Vildhjarta are in the running to open up Summer Slaughter this year, and they need your votes. As of writing this post, Vildhjarta are behind Fallujah, 19 to 22 % respectively. Assuming Summer Slaughter are actually considering having two of the top winners on board like they said they would, this is great news if Vildhjarta and Fallujah are top dogs. Both bands would be absolutely amazing opening acts. I feel that both of these young and talented bands deserve it, but I’d like to extend my support for Vildhjarta and I strongly urge and plead for everyone to vote for them and get them into first place to the best of our ability as insurance to get them on this bill.

Vildhjarta have never toured the US before and this would be a killer start for them and open them up to a new audience. I hope with everything in me that both Fallujah and Vildhjarta can make it, but my vote’s going to my Swedish brethren.

Go to the Summer Slaughter Tour Facebook page and vote for Vildhjarta. Let’s get these dudes to America!

- JR

UPDATE: 8:50 PM — So White Arms Of Athena did not make it, despite the buzz I saw on the page for them and Fallujah! Major bummer. However, Vildhjarta are now in the official running and need your help to make Summer Slaughter 2012 their first American tour! Go and vote for Vildhjarta!

Last night’s scheduled announcement for The Summer Slaughter tour was a dud. They haven’t been very good on their weekly announcements on Sunday, and it’s been two weeks since the last announcement, admittedly for reasons outside of their control. There was however a legitimate update regarding the potential openers of the trek, with the top runners being Fallujah, Cerebral Bore, and Aegaeon. The Summer Slaughter Tour are still taking fan votes and are even considering letting fans choose two openers for the tour, so I’d like to extend my support towards frontrunner Fallujah and an available underdog, White Arms of Athena.

This year’s Summer Slaughter is a fairly clear-cut crossroads of death metal and prog, with Cannibal Corpse and Between the Buried and Me at opposite ends of the spectrum. This was a great move on the people who booked this tour, as there’s something for almost everyone. Here’s the thing though; balancing the lineup evenly between the two will offer maximum satisfaction for all of the fans involved. Here’s how I’m breaking down the lineup:

A: Cannibal Corpse, Hate Eternal*, Exhumed, Goatwhore, Job For A Cowboy*
B: Between the Buried and Me, The Faceless, Veil of Maya

* = rumored

As it is right now, there’s not much of a balance. Much like The Faceless, Fallujah are a shoe-in and would easily fit among the prog bands as well as the death metal crowd. I also feel that they deserve the spot as a comeback from their recent van accident. There’s not going to be too much more work involved in getting these guys on the bill, as they’ve mobilized their fanbase quite a bit already.

Here’s the hard part: White Arms of Athena. They’re much more obscure, but they’d help balance things in BTBAM’s corner considerably. These guys need a shot at bigger tours, and Summer Slaughter would be a great help for getting them a wider audience. I feel that they deserve this shot.

If you like my reasoning, go to The Summer Slaughter Tour’s Facebook page and tell them you want Fallujah and White Arms of Athena on the lineup. If you don’t like my picks, then vote for whoever you deem worthy! It’s pretty awesome of Summer Slaughter to open up the night with fans’ choices anyway, so go and take advantage!

- JR

Gay For Puciato

A few days ago, Greg Puciato of The Dillinger Escape Plan made quite the statement and stance in regards to homophobia in metal and society in general. The man was simply responding to an anonymous question from one of his fans over at his official website, and what transpired after is something that warms my heart. To see such a prominent member of the metal community taking such a definitive and positive stance on an issue of this magnitude, it’s… well it feels a lot better than the idiotic comments Dave Mustaine gets away with spewing out.

I don’t want to spend a lot of time in this post, because Greg’s statement — which you can read below — is far more eloquent than I could ever get out. However, I do want to say that this issue is getting crazier and crazier, and I for one think it’s quite disgusting. With the United States presidential elections just around the corner, lines in the sand are once again being drawn by candidates and voters alike in regards to gay rights, or the lack thereof. As Greg says below there are a large group of people in this day in age that are still living with backwards thoughts and  these people, particularly candidates at the moment, are using their religious beliefs as some sort of ill-conceived validation for their hate-mongering views. Now I’m not saying anything against Christianity or any religion for that matter, because I know for a fact that you can be a devout Christian and still firmly support gay rights, or be gay yourself. However, there are a significant amount of people in this country, and this world, who can’t or simply won’t acknowledge this fact. These people believe that the two have to be diametrically opposed, when they really don’t have to be. It’s quite disheartening for me and many others to be around such prejudice and blind hatred from people who don’t even have the foggiest idea of what’s really going on. Anyways, here’s the reposted comment from Puciato. Cheers!

Anonymous:

Greg, I am a huge fan of your work with Dillinger and a metal fan overall. I am also homosexual. WHOA, right? My question is this – metal fans seem to pride themselves on being outsiders and letting anyone into their fold, yet homophobia is still huge in metal. Why is this exactly? It seems in this day and age especially, this mentality would have dissipated but sadly, it hasn’t. What is your take on this?

Greg Puciato:

“I really think masculinity insecurity issues are the problem, and listening to testosterone charged music and putting on a tough guy front enables the people with those issues to live in a sort of constructed “man suit”, helping them to feel more adequate in their gender/sex role confusion. It masks the fact that they probably need therapy to deal with whatever went wrong in their transition from boyhood to manhood.  Combine that with lack of education and culture, two things that we have a massive problem with in the US, and there you have it. It grosses me out. I think the younger generations are obviously progressing, everything progresses with time, but it’s annoying to wait for the world around you to play catch up when you’re already on that level.  Understanding of homosexuality is one of the largest humanist issues of our time. Well, that and educating people about the evils that organized religion have perpetuated in society. Those two things go hand in hand really. It’s frustrating that the United States leans so much on Christianity politically, a religion that teaches at its fundamental core complete intolerance toward homosexuality. Every time a candidate endorses Christianity or uses it as a tool to get votes of bible belt states, he’s saying “go fuck yourselves” to all of the gay population. The problem needs to be dissolved through different angles. Proper education and culture exposure will catch everyone up, but again, waiting is annoying….and I totally see what you are saying about the comical false masculinity that is unfortunately prevalent in metal and hip hop and country music. It’s not a coincidence that homophobia is most rampant in those three genres, and that those genres are primarily embraced by low income groups, groups that have low exposure to quality education, and almost no exposure to travel or different cultures. Punk and hardcore ethics have always been more refreshing and progressive, however, which is partly why we as a band feel more aligned with those movements than with “metal” as far as mindset. The real movements, not the “check it out I’m wearing a CBGB’s shirt I bought at Nordstroms” mall versions. Sorry I’m rambling…too much caffeine to type this very coherently, but it is something I actually feel fairly passionately about so I’m glad you brought it up. I scroll through most of these but this I felt I needed to say something about. If we ever do a show that I feel is gonna have an overtly high level of homophobes in the audience, I promise to wear a shirt that has a picture of a dude sucking a cock on the front of it or something. Funny how the same people who would act violently offended by that would probably cheer if there were two girls making out or going down on one another onstage. Like I said, fucking insecure babies trapped in man bodies. Masculinity insecurity issues. Hopefully they’ll all have gay kids.

Let me also throw in how proud we are as a band that our fans appear to be accepting and tolerant and progressive as well. Haven’t met a DEP fan ever that didn’t seem like a quality human being. I’m pretty sure that we turn everyone off that isn’t that way. I’d like to at least. Don’t come in here with that shit.

As for you, the person who submitted this question….don’t let that shit get you down. Feeling ostracized may sting at times, but the truth is that you’re a forward person in a primitive time. Moving at a faster speed than others. Being ahead of the pack? That’s called being a leader. Embrace it.”

I would like to make one last appeal to the readers of HBIH, if you have the time would you please read through some of the stuff at Freedomtomarry.org, and possibly sign the petition. They’re an organization obviously dedicated to the expansion of marriage rights for homosexual citizens. Honestly, it’s a small act that will have great impact on our society in the long run. This organization, and others like it will  and are helping us all get to that point of equality that everyone is so desperately grasping for. If you’re comfortable doing so, show your support.

- EC

Let me preface this by saying that the first person to comment “hurr durr djent is not a genre” is going to get forcibly bedded by the business end of a rake. No dinner, no candles, and no fucking Kenny G. The argument of genre/chord/sound comes up more often lately than racism in football, but the bottom line is that’s it’s a word. The function of a word is to convey meaning, and the word “djent” describes a genre to a lot of people, and thus the word’s purpose is served – no matter how hard you scream and kick your legs.

Javier Reyes djents; not to whom I'm referring in the title.

 

Last night we ‘broke’ the news that a brand new Meshuggah track had been ‘leaked’ – albeit intentionally – and although it happened late in Britain, the overnight evidence pointed to the internet simultaneously going nuts…and also being somewhat underwhelmed.

I could not have been less surprised on either count.

In the same way that Black Sabbath and Led Zeppelin are now considered tame nowadays, and as the widely recognised progenitors of that sound, Meshuggah are in very serious and imminent danger of sliding into the very saturation and mediocrity that they spawned. Sacrilege, surely?!

Let’s look at the facts. By the time Koloss is released it will have been just over four years since Meshuggah last put out a record – 2008′s obZen. Unless you’ve been living under a five-ton lump of iron, you’ll know the ripple effect that this record in particualr, but all of their records really, have had on the progressive metal landscape; a landscape that has long been towered over by the monolithic bastion that are this Umeån quintet.

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Yesterday the internet lost Megaupload, a popular file sharing and storage site, when the US Government shut it down due to rampant piracy and copyright infringement—in the wake of the biggest internet protest in history against SOPA and PIPA no less. I don’t know about you, but I for one am absolutely outraged.

For those of you who may not be familiar with Megaupload, allow me to explain how the site works. Megaupload was a file hosting site that allowed users to upload whatever they want for either sharing or storage purposes. Obviously, while this leaves room for abuse and infringement, is completely legal. However, the site was shut down despite Megaupload being compliant with DMCA notices, removing files that were reported as abuse.

If there was any doubt that Megaupload served a legal and legitimate purpose, friend of the site Drewsif Stalin would have you know otherwise.

And with this government take down, they’ve effectively nuked a site because of its abuse on part of the end-user and not of the site itself, taking countless documents and backups with it.

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At the end of last week, Every Time I Die and The Damned Things frontman Keith Buckley posted a long and obviously well-considered blog entry onto his website. On January 1st 2012, Keith deleted his Instagram account, and removed the temptation to post to Facebook and Twitter constantly by deleting the apps from his phone (although not deleting the accounts, because that shit is hard to get verified).

The piece itself runs at over four and a half thousand words, but his writing style makes it an easy read, and you should definitely go and check it out. No, seriously.

Tl;dr? Fine. Essentially, he wasn’t liking what he saw from friends and other people who, without these outlets to spew forth their every thought, would keep certain controversial or plain retarded opinions to themselves, and he’d be much more inclined to spend time with them.

So, rather than unfollowing/unfriending, which would undoubtedly cause that frankly bizarre overreaction people have to digital snubs, he has instead opted for a full black-out from social media. His decision is summed up perfectly by this:

“So while it may not be ‘polite’ to remove myself from your inexorable stream of self dick-suckery, if you’re that offended you can bring it up in conversation. Unless we don’t have any, because we’re not really friends.”

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We’re only two weeks in, and 2012 has already got off to a funny start. We’ve had some drab news; The Human Abstract have faded away quietly at the height of their power, along with the likes of The Carrier, and Oceano; the latter due to the departure of vocalist Adam Warren amongs other things. Similarly, Killswitch Engage are without a frontman as Howard Jones confirmed he had left the band, although they are looking for a replacement, who may or may not be Jesse Leach… We also had last week’s announcement that absolute metal legend  Tony Iommi of Black Sabbath being diagnosed with early stage lymphoma. Although we remain hopeful, in the vein of 2010′s Nergal crisis, nothing is assured.

It’s not all doom and gloom, though. The past few days in particular have seen a couple of rays of excitement, firstly in the news that post hardcore legends At The Drive-In have made good on a statement made by Cedric Bixler-Zavala in 2009  that the El Paso quintet could once again play together, and secondly with the word that Swedish hardcore punk heroes Refused are also back and scheduled to play Coachella in April, Way Out West in August, and possible other shows beyond to give The Shape Of Punk To Comeits proper dues. This got me thinking; what with Paul Scholes re-signing for Manchester United, Thierry Henry returning to Arsenal on loan, and my hamster from when I was thirteen clawing its way free of the shoebox in which it was buried to terrorise the cat, it seems like 2012 could be the year of the grand return. Whether or not you think this is a precursor to the actual dead walking the earth, and thus a sign that the Mayans were right and we’re all going to die up by December 21st, you have to admit that there are a few more legends that need to resurface to make the end of the world party worth attending. Behold my humble wishlist:

At The Drive-In

First up, the mercurial masters of nineties post-hardcore, who as I said above, reunited this week after eleven years away. It’s a fucking good start, I tell thee. If you do the math, you’ll know that At The Drive-In were last seen in 2001. March, to be exact, off the back of a six year recording/touring cycle that culminated in a world tour. By that time they were fucking tired of each other, and vocalist Cedric Bixler-Zavala and guitarist Omar Rodriguez-Lopez were on some serious drugs by this point. Things were not happy. In this video, filmed for the renowned …Later With Jools Hollandshow in the UK in late 2000, you can see the sheer passion with which they played, but also how much they clearly despised each other by this point. On the one hand you’ve got guitarist Jim Ward and the rhythm section soldiering on, playing the fucking song…and then you’ve got Cedric leaping around, throwing around chairs and not bothering with half the songs, and Omar at times barely playing his own damn song…but then pulling it back at others. Absolutely electric stuff, and for me 100% what At The Drive-In were about.

Bonus shot: Robbie Williams’ face at having to follow ‘One-Armed Scissor‘.

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Younger metal fans might not be aware of who this guy is, so let me explain;  Chuck Schuldiner IS death metal. The man who formed the band Death, he is pretty much responsible for creating death metal, and as such he was (and still is) very important for me, as death metal is my favorite genre, and my favorite bands are directly influenced by this man’s work (Obscura, The Faceless, Necrophagist and Fallujah to name a few).

Ten years ago today, on December 13th, Chuck Schuldiner passed away. He was struggling with brain cancer, and the medication he was taking made him weak to common diseases which took his life – but his legacy lives on, and unlike many other guitarists who became a big deal after their death, Chuck is irrefutably one of the most important people in metal. His philosophical take on lyrics, his jazz-influenced songwriting and his early era technical/progressive death metal is still unmatched by most. When most bands were concerned with thrashing, Chuck was making music for the mind. Some of his prowess is still unmatched; many bands mistake technicality and progression for chugging on the open string with staccato rhythms, whereas Chuck hit all the strings with odd timing, and screamed like hell at the same time.

So today, one decade on, we celebrate his life and works, and if you haven’t heard them before (or just need a refresher), here are some of his great, unparalleled works to remember him by:

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We now interrupt your previously scheduled METAL for some mindless bullshit! Please bear with us.

It’s pretty hard to describe the amount of fucked up that goes into the process of picking a Grammy nominee, let alone a winner, but it’s clear that the group of people involved in those decisions are never all that concerned with which artists have put out the best releases. Normally I wouldn’t pay attention to things like this, but this year I was actually invested in quite a few “mainstream” releases; judge me all you want, but I love me some Lady Gaga and Kanye West.

With that said I can’t help but feel that the Grammys have missed the mark once again with their announced 2012 nominees. Maybe it shouldn’t matter to me, but it just feels wrong to leave an album like Kanye West’s My Beautiful Dark Twisted Fantasy out of the Best Album nomination slot. It was easily one of the most eclectic and widely acclaimed hip-hop albums of last year, and having him on the list just seems like it would pull the publicity and attention that these sort of Entertainment Galas thrive on. Now I get that Kanye has caused problems in the past, but depriving one of the few eligible and truly talented men (despite what you think of his personality and presence, he is definitely talented) out of an honor like this just seems to cheapen the award ceremony even more than it has been known for in the past.

I know Mr. West isn’t the only great artist from the mainstream that was left off of this list; bands like Bon Iver, The Antlers, and Florence and the Machine were also left off the list in place of truly mediocre and terrible acts like Bruno Mars, Adele, and Rihanna — a woman with a great voice but some truly awful music to accompany it. Sigh. My only hope is that Foo Fighters or Lady Gaga get the prize for Best Album, but I won’t be holding my breath.

Anyways, here’s the full list of 2012 Grammy nominees. Feel free to peruse the list and grimace at the choices. A few good Metal bands have been nominated for best Hard Rock/Metal act. So I guess you can get excited about that. /End Rant

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