FULL ALBUM STREAM: Launch on a Psychedelic Journey from Mother Engine’s Hangar

The “jam” is one of those musical devices that walks a delicately drawn fine line. On one side are classics like Can’s “Halleluwah” or The Velvet Underground’s “Sister Ray,” both of which are defined by an embrace of improvisation, interplay and gradual evolution that keep the song fresh throughout a roughly 20-minute run time. But on the other side, you have endless journeys of gratuitous musical masturbation that create a significant imbalance of enjoyment between the players and their audience. Walking this line is obviously difficult; though defined by higher tier musicianship, an effective jam band can’t venerate their abilities as musicians at the expense of songcraft, particularly in terms of defining the genres and styles from which the extended composition is being drawn out of. All of this makes it that much more impressive that Mother Engine have not only mastered the “jam” formula, but excelled at replicating that equation fourfold on their third full-length outing Hangar, which we’re stoked to be able to premiere for you in full.

PREMIERE: Mathcore Project The Sound That Ends Creation Tackles Political Apathy In “This Is Your Brain On Propaganda”

Anyone else remember the good ol’ days of mathcore and grindcore on Myspace circa 2008? Chaotic hardcore, grindcore, and deathcore blended in a menagerie of inaccessible weirdness. The Dillinger Escape Plan, Tony Danza Tapdance Extravaganza, Psyopus, See You Next Tuesday, and The Number Twelve Looks Like You were among some of the highlights. They just don’t make metal like that much anymore, and what’s troubling is that only one of those five bands will be active come 2017 — No. 12 — and they’ve broken up once before already.

TRACK PREMIERE: Get “Lost” in Lifelink’s Melodic Metalcore Goodness

Lifelink comes to us courtesy of Philadelphia record label, Innerstrength, having honed their particular take on metallic hardcore on their second release, Love Lost. The EP heavily features the guitar talents of Josh Brown and Kamran Oskouie, some might even say it relies on them. The track we’re premiering here, “Lost”, shows roots similar to those of Architects, Volumes, and Novelists, with some nicely worked exchanges from Brown and Oskouie as they switch from mid-tempo moshes to trading off leads amidst Dillinger-esque chords. Meanwhile vocalist, Luke Blanchard, stays firmly in the pocket between a growl and a yell which might belie the range he has developed since the band’s last release, Nothing, that came out in 2015.

Premiere: No Relief in Entry’s new video for “Time Heal Me”

Modern hardcore, in its most traditional strain, stems directly from the likes of Black Flag but exists now through a twisted evolution that people like me have attempted to label with absurd titles like emoviolence, powerviolence, and any number of “-core” affixed descriptors. However, one of the main common themes that can be found when listening to or discovering newer variants is a critical nucleus consisting of compact, ferociously brief songs that maintain a rapidfire pace just shy of grind, at least to these ears. Sometimes these include (extremely) brief breakdowns or mid-tempo breathers before flying off the handle again in a manic explosion of righteous vengeance and furious anger.

One band that hits all of those elements and goes hard as fuck on their new EP is Entry out of Los Angeles, CA.

NYN Prepares To Unleash Entropy

I’m not sure if this disclaimer is even necessary anymore, but just in case: NYN, an excellent death metal project all on its own is also the brain child of Noyan Tokgözoğlu, one of our chief editors and a good friend of mine. Regardless, as with previous releases, I am recommending new music from NYN based on its merit; I truly believe that the project upcoming album, Entropy: Of Chaos and Salt, is huge step up in the project’s history and is an amazing album of technical music. Don’t believe me? What about if I told that none other than Tom Geldschläger (ex-Obscura, Fountainhead) not as an album contributor but as a full fledged member of the project? And what if I added Jimmy Pitts (Scholomance, Pitts Minnemann Project) on keyboards, lending the entire album a veneer of elegance and pomposity? I bet you’re interested now. Head on down below for even more details.

Holy Roar Records Files Pt.4 – Employed To Serve’s The Warmth Of A Dying Sun

It’s been a minute since our last Holy Roar Records File and even longer since I wrote one. It’s only appropriate that the post is dusted off and brought back for this. Somehow, I hadn’t covered Employed To Serve in this feature before but that HAD to change for one reason; The Warmth Of A Dying Sun releases today and is a bona fide game changer in hardcore and heavy music. You can throw Code Orange at me all you want, Employed To Serve are thee band at the forefront of genre smashing heavy music. As always, make your own damn mind up about but if you feel like you need convincing then read ahead. There will be bountiful amounts of hyperbole and fruity language – oh, and a track by track breakdown from EtS’s very own Justine Jones. Tight.

Grind My Gears – Dark Habits

OK. I’m challenging myself with this one. Taking twelve minutes to write about a twelve minute debut EP can and will be done. Just watch me, I don’t back down from a struggle, even if it’s with hate filled morons on the Internet who wanna send empty death threats to me. Mate, you’re a cunt and I hope that something heavy lands on your head. Something as heavy as this. Not so much grind today but this definitely gets my gears working. Hard. And it’s Scottish too. Moist.

EXCLUSIVE PREMIERE: Onj. Are “Alone”

I’ve spoken a lot about the different flavors of post rock. The genre has much of hope, wonder, and color but it’s hard to deny that its base, post rock is melancholic. Even the more “positive” emotions (if such a neuro-typical spectrum is even worth repeating) displayed within the genre are tinged with longing and a forlorn sense of distance. Thus, every so often, it’s refreshing to hear a post rock band simply tap into that difficult and burdensome place of sadness and bring forth a type of post rock awash in the early influences of the genre. Which is exactly what onj. are all about. Head down below to hear “Alone”. Bring tissues.