The ‘80s revival of the past few years has become a full-blown phenomenon in its own right at this point: personally, I’d declare the new Paramore album that came out last week as the tipping point between underground and establishment, but that’s a pretty subjective line (and there are certainly…
Those who have their fingers on the pulse of technical death metal might recognize the name Dark Matter Secret. Their EP Xenoform, released in 2015, was a great piece of instrumental prowess. Featuring members of Irreversible Mechanism and Arkona, this group was set to make some waves in the future. Well, that…
RVRSAL’s first release, entitled Finding it and Losing it, is exactly the kind of blend of jazz influence with a host of other flavors that is guaranteed to grab our attention, and we are very pleased to be premiering it in its entirety here!
Since Year of the Cobra’s 2015 inception, Amy and Jon Barrysmith have proven that you don’t need a huge band to create a huge sound. Producing massive, infectious heavy riffage and a sound mightier than a duo should rightfully lay claim to this pairing pummel audiences the world over. You’d be forgiven for drawing the easy straight-line comparison to Jucifer considering the similar pieces parts but you’d be doing yourself a woeful injustice to both bands.
I’ve spoken a lot about the different flavors of post rock. The genre has much of hope, wonder, and color but it’s hard to deny that its base, post rock is melancholic. Even the more “positive” emotions (if such a neuro-typical spectrum is even worth repeating) displayed within the genre are tinged with longing and a forlorn sense of distance. Thus, every so often, it’s refreshing to hear a post rock band simply tap into that difficult and burdensome place of sadness and bring forth a type of post rock awash in the early influences of the genre. Which is exactly what onj. are all about. Head down below to hear “Alone”. Bring tissues.
With little to no information, I got my hands on Fortis Amor’s latest tracks. Who in god’s name is Fortis Amor? Good question! It’s exactly what I asked myself as I opened the email. Turns out, Fortis Amor is a pretty damn cool solo project dabbling in progressive metal and metalcore. I know! Usually those tags are enough for me to slam my laptop shut and have a strong drink. However, no such measures are needed here; Fortis Amor’s music manages to eschew most, if not all, of the pitfalls of the genre. Everything you’d associate with it is there: clean vocals alongside screaming which draws on Misery Signals, intricate leads and guitar trade offs, odd time signatures, the works.
Today’s offering is from a band we’ve recently featured: Massive Scar Era. They’ve been born and raised in the Egyptian metal scene but now call Vancouver their home-base. With a production that highlights the range of vocalist, Cherine Amr, and that folds all of the manifest bits and pieces of the band together this is, perhaps, the most ‘complete’ they have sounded yet. We’re very excited to premiere the video for the title track from their latest release, 30 Years.
With Our Arms To The Sun are back. Following on the heels of 2014’s well-received LP, A Far Away Wonder, the band has enlisted indie legend Buzz Osbourne to produce and are ready to drop Orenda on 4/21. We’ve got the premiere of “The War: Light The Shadows.” The band’s sound…
It’s been nearly six years since we were absolutely floored by Uneven Structure’s debut album Februus. It was a perfect storm of ambition, atmosphere, and emotional/conceptual depth that made it tower above the array of djent records that dropped in the early 2010’s. Depending on who you ask, it may be the best record that has ever come out of that scene.
The follow up La Partition is no slouch, either.
It’s been a while since we mentioned Boston instrumental post-rock group Pray For Sound here. Originally we told you to listen to their 2014 album Dreamer, which Eden complimented for its open, cinematic sounds calling to mind the likes of sleepmakeswaves, Explosions in the Sky, and plenty more. True to form, after telling you all to listen to that album over half a year after its release, we somehow managed to let these guys slip through our fingers again as they released their truly excellent follow-up Everything Is Beautiful last fall. Don’t ask us how it happened because we don’t have a good answer other than us being fools. Certainly don’t think it has anything to do with the quality of the album because Everything Is Beautiful is undoubtedly the most fully-realized and expansive record Pray For Sound have put out. It’s sweeping, cinematic post-rock at its finest that knows how and when to hit heavy and add plenty of interesting knots throughout while maintaining its general feel of open, pastoral beauty.