EXCLUSIVE PREMIERE: Gutslit Cut “From One Ear To Another”

Oh boy do we have something hot and nasty for you to start off the week. Cobwebs in your ears from a long weekend looking at the bottom of a bottle? Just pissed that it’s Monday and Bob from HR won’t stop chewing with his mouth open? We’ve got something for you. Coming fresh from their upcoming sophomore release Amputheatre, we’ve got a brand new track from India’s deathgrind destroyers Gutslit. One of my favourite tracks from this release, we present you with “From Ear To Ear,” as always, over the jump.

FULL ALBUM STREAM: Launch on a Psychedelic Journey from Mother Engine’s Hangar

The “jam” is one of those musical devices that walks a delicately drawn fine line. On one side are classics like Can’s “Halleluwah” or The Velvet Underground’s “Sister Ray,” both of which are defined by an embrace of improvisation, interplay and gradual evolution that keep the song fresh throughout a roughly 20-minute run time. But on the other side, you have endless journeys of gratuitous musical masturbation that create a significant imbalance of enjoyment between the players and their audience. Walking this line is obviously difficult; though defined by higher tier musicianship, an effective jam band can’t venerate their abilities as musicians at the expense of songcraft, particularly in terms of defining the genres and styles from which the extended composition is being drawn out of. All of this makes it that much more impressive that Mother Engine have not only mastered the “jam” formula, but excelled at replicating that equation fourfold on their third full-length outing Hangar, which we’re stoked to be able to premiere for you in full.

PREMIERE: Mathcore Project The Sound That Ends Creation Tackles Political Apathy In “This Is Your Brain On Propaganda”

Anyone else remember the good ol’ days of mathcore and grindcore on Myspace circa 2008? Chaotic hardcore, grindcore, and deathcore blended in a menagerie of inaccessible weirdness. The Dillinger Escape Plan, Tony Danza Tapdance Extravaganza, Psyopus, See You Next Tuesday, and The Number Twelve Looks Like You were among some of the highlights. They just don’t make metal like that much anymore, and what’s troubling is that only one of those five bands will be active come 2017 — No. 12 — and they’ve broken up once before already.

EXCLUSIVE PREMIERE: Let Zaius Be Your Sheepdog

We’ve sung the praises of the Chicago metal scene for a while now; there appears to be a current of energy running through that part of the States and it’s bringing us plenty of great music. It seems to be specifically fertile in the areas of instrumental post rock/metal and interesting experimentation within those genres, with bands like Outrun the Sunlight and Sioum released their fair share of evocative music. It appears there’s now another name to be ended to the roster, Zaius. These guys are getting to release their debut album, Of Adoration, via Prosthetic Records on October 6, 2017 and let me tell you, it’s damn good. But why take my word on it? Head on below to hear a track from the very same album!

TRACK PREMIERE: Get “Lost” in Lifelink’s Melodic Metalcore Goodness

Lifelink comes to us courtesy of Philadelphia record label, Innerstrength, having honed their particular take on metallic hardcore on their second release, Love Lost. The EP heavily features the guitar talents of Josh Brown and Kamran Oskouie, some might even say it relies on them. The track we’re premiering here, “Lost”, shows roots similar to those of Architects, Volumes, and Novelists, with some nicely worked exchanges from Brown and Oskouie as they switch from mid-tempo moshes to trading off leads amidst Dillinger-esque chords. Meanwhile vocalist, Luke Blanchard, stays firmly in the pocket between a growl and a yell which might belie the range he has developed since the band’s last release, Nothing, that came out in 2015.

Premiere: No Relief in Entry’s new video for “Time Heal Me”

Modern hardcore, in its most traditional strain, stems directly from the likes of Black Flag but exists now through a twisted evolution that people like me have attempted to label with absurd titles like emoviolence, powerviolence, and any number of “-core” affixed descriptors. However, one of the main common themes that can be found when listening to or discovering newer variants is a critical nucleus consisting of compact, ferociously brief songs that maintain a rapidfire pace just shy of grind, at least to these ears. Sometimes these include (extremely) brief breakdowns or mid-tempo breathers before flying off the handle again in a manic explosion of righteous vengeance and furious anger.

One band that hits all of those elements and goes hard as fuck on their new EP is Entry out of Los Angeles, CA.