These posts are written by: Joe Whitenton

Deathcore’s Not Dead (Yet!)

Last week, Invisible Oranges made a very good case for the death of deathcore citing the absolute disasters that Suicide Silence and Emmure put out this year, the diminishing commercial success of the genre, and the disappointing follow-ups of some of the genre’s most promising acts. To be clear, there is no defending Suicide Silence and Emmure, but there is more to deathcore’s story to be told in 2017 and beyond.

Starter Kit: Progressive Bluegrass

Bluegrass generates most of its interest from technical ability, even in its most traditional veins. Generally, the genre operates a lot like jazz: different configurations of instruments improvise solos on standard tunes. There’s mostly likely an upright bass and some light percussion like tambourine or washboard in the rhythm section, treble instruments like fiddle, banjo, mandolin, and guitar taking solos, and multi-part harmonies in the vocals. Bluegrass generally borrows from the same sources as country and folk: Scottish, Irish, and English folk music, African American spirituals, and blues. Progressive bluegrass started, like progressive rock, in the late 60s. While, the compositions never really reached the complexity of prog rock, the idea was the same in the beginning: the chord progressions got more complex, it started borrowing from other genres most notably jazz, modern rock, pop, and classical music, and the lyrics became deeper.

Cut Up – Wherever They May Rot

Sweden has quite the reputation for crusty, gruff death metal. Familiar legends like Entombed and Dismember are eternally inscribed in the brains of metalheads but they might not be as well acquainted with Vomitory, a band with a string of brutal, gory minor classics in the 1990s. Before breaking up 2011, Vomitory was signed to Metal Blade Records, so they aren’t exactly unsung heroes. Nonetheless, they are certainly still overshadowed by their more famous fellow countrymen. Two long time members of Vomitory, drummer Tobias Gustafsson and bassist/vocalist Erik Rundqvist, returned in 2015 with a new project, Cut Up, who are now releasing their sophomore album.

Hey! Listen to Witherfall!

Witherfall may be the savior power metal has been looking for. The quartet (although currently a trio, due to the tragic death of drummer, Adam Sagan) plays technical and thrilling progressive power metal that is matched in quality only by a handful of veterans in the business. These guys do not sound like a new band and there’s good reason for that. All the members, except the bassist, have long resumes with power metal heavyweights like Iced Earth, White Wizard, Circle II Circle and Into Eternity. Even considering their extensive experience, their debut album, Nocturnes and Requiems, still passes expectations.