These posts are written by: Jimmy Mullett

The Final Years: A Retrospective Of Miles Davis’s Last Albums (Part 2)

If there was one word to ultimately describe Miles Davis’s final handful of recordings, it would be “contentious”. While Davis was never too far away from controversy throughout his entire career, with a great number of his releases not finding proper reception until years after their release, this period of his life perhaps represented more of a disappointment by fans than any other. He’d been able to prove himself to be capable of serious experimentation with albums like Bitches Brew and On The Corner; one could only expect fans to be disappointed with the supposed lack of innovation found on The Man With The Horn.

The Final Years: A Retrospective Of Miles Davis’s Last Albums (Part 1)

In 1975, Miles Davis began life anew as a recluse, a hermit in the middle of Manhattan. Supported by a healthy retainer by Columbia Records and fueled by cocaine, Davis spent most of the next six years in his Upper West Side apartment, composing and practicing rarely, but mostly neglecting his musical gifts. (Whatever else went on during this “retirement” is perhaps best left untouched.) However, by 1980, Davis was back in the studio recording what would become 1981’s The Man With The Horn—his comeback record, and an album that would arguably set the standard for this new wave of his music until his untimely death nine years later.

Heavy Vanguard: Scott Walker // Tilt

While we’re always up for trying a new experimental release out, we figured it was high time we covered this artist in some degree, since Scott and I both share a love for his music. Scott Walker (no relation to the politician of the same name) was once a singer/songwriter on the road to becoming an act on the scale of The Beatles or The Who as part of The Walker Brothers, but who, in a Beatles-esque fashion, eschewed fame and pop-oriented songwriting after a while and decided to go in an avant-garde direction. After some ups and downs, and a solo career that had a fair amount of misses as well as successes, Walker has planted himself as one of the foremost experimental musicians of the modern era, with his later trilogy (consisting of Tilt, The Drift, and Bish Bosch) being of particular acclaim, along with collaborations with bands like Sunn O))).