These posts are written by: Jimmy Mullett

Soundtracks For The Blind: Burning Ghosts // Reclamation

At the beginning of this year I covered a band called Burning Ghosts, a sort of free jazz/rock hybrid who expressed their want for change in an instrumental fashion. Their debut was chaotic and noisy but at the same time a harbinger of hope, with trumpeter Daniel Rosenboom’s piercing tone breaking through guitarist Jake Vossler’s most riotous noise-making techniques. I noted in that article that “if I had known about this band earlier, I can almost guarantee that this would be on my top ten of 2016,” and I still stand by that. Musically, Burning Ghosts was a much-needed voice to the experimental music scene—their loudness was matched by the delicate control and virtuosity they put towards their music, and the addition of trumpet to the lineup offered slightly different sonic variations to enjoy. And, to my surprise/luck/excitement, Burning Ghosts is releasing their sophomore album Reclamation this month on John Zorn’s Tzadik label.

Heavy Vanguard: Boredoms // Vision Creation Newsun

We’ve covered a lot of ground with Heavy Vanguard, from improvisation to sound art, and nearly ever genre someone has ever played around with, but you might notice there isn’t a whole lot of diversity in terms of nationality. Most of the acts we’ve gone over have been American or European. There’s nothing wrong with this, of course—good art is simply good art, and we shouldn’t put so much emphasis on the person creating the music as opposed to the music itself—but music knows no borders or boundaries, and this counts exponentially so for the avant-garde. There are free jazz scenes all over the world, and radical music being created in every country. This is why we finally decided to cover one of the countries best known for their experimental music, Japan, with one of the country’s best experimental rock bands ever, Boredoms.

Heavy Vanguard: Red Krayola // The Parable of Arable Land

Let’s dive into our album this week: The Parable of Arable Land by experimental rock/psych band Red Krayola, made in collaboration with “The Familiar Ugly”—a group of the band’s friends. RK consisted of Texas art school students, and this “outsider” influence (i.e. not trained musicians) shows up in their music in the best way possible. Lo-fi? Check. Tons of tracks that sound like noise (referred to as “Freak-Outs”)? Double check. If you like your music psychedelic, experimental, and given to flights of all-out, Brötzmann-esque free jazz, this is your record.

Heavy Vanguard: Laurie Anderson // Big Science

Laurie Anderson is a woman who wears many hats—part musician, part director, part visual artist, all-around performance artist—and she’s made waves by combining all these mediums together in new and interesting ways. Big Science was her debut album, and is still very much considered her magnum opus. Within this album, Anderson presents herself as an artist with visions beyond the aural, using spoken word, odd instrumentation (seriously, there’s a fucking bagpipe on this album) and heavy synth use to create something entirely unique, beautiful, and highly representative of the 1980s.

Heavy Vanguard: Pan.Thy.Monium // Khaooohs and Kon-Fus-Ion

We’ve been dragging our feet a bit in talking more about avant-garde metal; since we at Heavy Blog cover the likes of Gorguts and Dodecahedron quite a bit, Scott and I wanted to find something that wasn’t as well-known but still well-regarded. So, Scott found Pan.Thy.Monium—a side project of Dan Swanö (Edge of Sanity) that checks a lot of avant-garde ticks off with their final album Khaooohs and Kon-Fus-Ion.