These posts are written by: Jimmy Rowe

PREMIERE: Experimental Mathgrind Project The Sound That Ends Creation Gets Fucky With New Single “Fucky The Drunk Clown Only Comes Around During A Full Moon”

One of my most dearly missed niche phase of extreme music was that “weird” phase of mathcore that brought us stuff like The Red Chord, Tony Danza Tapdance Extravaganza, Silent Circus era BTBAM, and the like? Wonky breakdowns, noodly guitar tech, and brutality that flirted with death metal and grindcore was the sound of a certain kind of person’s MySpace playlist circa 2005. 

Between the Buried and Me – Automata I

As they approach 20 years of activity, Between the Buried and Me have surely attained the status of legacy act in the realm of progressive metal with a weight to their name comparable to that of Opeth and Dream Theater; they’re world-class headliners and have crafted some of the greatest records to ever come out of the genre, and they arguably had a hand of influence in the influx of progressive metalcore acts that emerged in the mid-to-late 2000’s. With that prolific status comes its drawbacks, however; much like Opeth and Dream Theater, later-era works are the topic of much debate and are subject to higher scrutiny, and being guilty of creating an album that is just okay is damning.