These posts are written by: Jimmy Rowe

Get Horizontal Tonight To This New GRAND LORD HIGH MASTER Banger, “Flexxx”

The observant among you may find something familiar about LA’s up and coming hardcore firebrands Grand Lord High Master and their new song “Flexxx”; it actually made its debut over the holiday season as a part of our annual Heavy Comp Is Heavy compilation. In case you missed it, we’ve got its “official” premiere today before the album’s release this spring. Truthfully, “Flexxx” is a song so nice, we just had to debut it twice.

Nine Inch Nails – Not The Actual Events

When Trent Reznor announced the release of the new Nine Inch Nails EP, Not The Actual Events, he described its sound as “impenetrable” and removed from his previous soundtrack work from longtime collaborator and now official bandmate Atticus Ross. This was a very enticing prospect, as Reznor and his revolving door of musicians have cultivated a project wherein anything is possible. Not knowing what to expect, the very short time waiting between the surprise announcement and finally hearing the release felt like ages for longtime Nine Inch Nails fans, particularly after a fairly underwhelming 2013 comeback record Hesitation Marks.

Heavy Buys: Jimmy’s Holiday Haul

In case you haven’t noticed, there are two Jimmys (Jimmies?) that are a part of the Heavy Blog family, and while I’m the dude who started this site back in 2009, I’m not the Jimmy who started the Heavy Buys column. However, this Christmas season was incredibly fruitful, with a myriad of prepaid visa gift cards and sales going on that created a perfect storm for collection expansion. I took the opportunity to upgrade my current setup to something only slightly less casual (but still incredibly entry level) and expand the collection to pick up five records that I had been meaning to purchase from the previous year.

EXCLUSIVE: Caricature Premieres New Video For “Man Of Science”

Massachusetts prog metal band Caricature — who you may remember as the band who previously dedicated an entire half hour epic to a special feline friend this year — have just released their new EP Unborn earlier this month. Featuring past and present members of Heavy Blog favorites System Divide, Binary Code, and Last Chance To Reason, it’s a melodic groove-minded record for fans of acts such as Gojira, Periphery, and Devin Townsend Project. Expect propulsive songwriting and a plethora of soaring, memorable choruses.

EXCLUSIVE: Avant Garde Project The DRX Streams New Album, Throughout Within

Composer and multi-instrumentalist Dan Romans finds himself among a revolving collective of musicians from the likes of Psalm Zero, Kayo Dot, and others under his flagship outlet The DRX, which, as you could imagine given its pedigree and the company it keeps, is a bizarre and ethereal project that is equally beautiful and thought provoking as it is obtuse and hideous. Through dense tracks packed with earthy guitars, mournful synths, and live orchestrations featuring an array of horns and strings, Roman explores a musical conceptual space occupied by the best of avant garde rock past and present, from Mr. Bungle to contemporaries Kayo Dot, on latest offering Throughout Within.

Korn – The Serenity of Suffering

Few bands out there can lay claim to influencing the creation of an entire musical movement. Meshuggah’s a relatively recent candidate with the explosion of the djent genre that formed in their wake, and despite what you think of the copycats that followed, you can’t necessarily blame them for it; they’re a band that did something different and naturally, others took notice. Korn are in the same boat; their 1993 self titled debut is a celebrated classic, and despite some missteps and the continued teenage angst from an aging band, they should not be thought of in a negative light because of the legions of terrible acts that followed.

Thomas Giles – Velcro Kid

It should be of surprise to absolutely no one that Between the Buried and Me frontman Tommy Rogers doesn’t like to sit still. While his 2004 solo debut Giles was hardly a serious effort, but 2011’s Pulse (the first under current project Thomas Giles) painted Rogers as a capable and serious musician in his own right across several genres, including progressive rock, industrial, electronic, and folk. Pulse was a portrait of an artist trying different things, but its follow-up Modern Noise was where Rogers truly appeared to find his artistic voice as a more focused and stylistically cohesive record.