For fans of post-anything metal, there was a turning point where we came to dismiss instant gratification. The point where we came to fall in love with the longform sonic journey, the gradual and subtle expanse of musical ideas, or the entrancing (and at times physical) nature of cascading, droning riffing and phantasmal leadwork. Bigger than that, it’s where we abandoned immediacy in exchange for the ambient, the psychedelic, the densely layered, or the ruminating.
Look, I know my column is filled with super subjective opinions. I write for a music blog, I get to do this. I can troll the comment threads as good as any of them! I just choose to use my skills for the power of good. And we’re talking internet good, so being snarky and borderline mean-spirited for the sake of a really cheap laugh I don’t deserve.
Robin Staps and Paul Seidel of post-metal band The Ocean give us a rundown of what has dominated their listening habits of 2018. Their lists represent the true meld of genres that The Ocean is, moving from heavy, doom-y stuff like Ancestors (one of my all time favorite bands) through obscure (to us) electronics and dreamy sojourns in foreign lands to heavy, abrasive, downright nihilistic at times, experimentations in music.
Beaten To Death are more interesting than your favorite grindcore band. I’m not sorry. Actually, I’m sorry for assuming Beaten To Death wasn’t already your favorite grindcore band.