Dylan Carlson – Conquistador

Though solo albums can excel or plummet in multiple different directions, they virtually always follow one of two paths: a slight or negligible deviation from the artist’s main project, or a complete departure from the sound they’ve become associated with. Dylan Carlson—the drone-doom pioneer and founder of Earth—has ventured down both paths…

8-Track: Amorphis

Amorphis has had an eclectic career, to say the least. The Finish melodeath pioneers have been responsible for some of the most memorable and the most forgettable melodic death metal the genre has to offer. While modern times may have seen them become overshadowed by their countrymen in Insomnium and Children of Bodom, yet few have traversed a stylistic spectrum as wide as Amorphis. The near three-decades since their inception has seen the band go through significant line-up changes, all while incorporating sizable aspects of folk, progressive, doom and even power metal into their ever-evolving sound. Now with thirteen studio records under their belt, finding an entry point into their oft-overlooked yet not inconsiderable career can be a daunting task. So, in celebration of the release of their new record Queen of Time, here’s a look at 8 of the most definitive and rewarding moments of their career.

Hey! Listen to Thornhill!

Thornhill are a young band aiming, and succeeding, in striking that precarious balance between throwback and their own unique sound, producing an enjoyable EP titled Butterfly. This is basically djent a la Northlane, early Karnivool or TesseracT, by which we mean progressive metal with emphasis on melody, soaring mostly-clean vocals and the thick, and the metallic tone on the guitars which gave the genre its name. You’ll find nothing that will shock you on this album but it’s really well made, from production to songwriting to execution, tapping into the stores of thrilling groove that, at the end of the day, created one of the most popular modern metal genres.