Morbid Angel – Kingdoms Disdained

After finally listening to Kingdoms Disdained, its clear that guitarist Trey Azagthoth’s deterioration as a songwriter has been a key, unaddressed factor that’s affected Morbid Angel’s recent output. While he may have written some of death metal’s greatest riffs during the band’s heyday, Kingdoms Disdained is the best case study thus far in terms of demonstrating Azagthoth’s slipping capability as the driving force of Morbid Angel’s sound. It was easy to overlook Heretic given how generally forgettable it was, and the predominant critiques of Illud Divinum Insanus revolved more around the band’s decision making than anything else. But now that Morbid Angel have entered into the perfect setup for a successful comeback, it’s difficult to overlook how complacent Azagthoth’s songwriting is across the entirety of Kingdoms Disdained. There’s no denying the album is an incomparable improvement over their industrial metal excursions, but it’s also difficult to avoid comparing the album’s aggressively average delivery with the milestone records that have preceded it in the band’s discography

The Anatomy Of – Nullingroots

Yesterday, I reviewed Nullingroots’ Into the Grey, a review in which I lamented getting the word about this band out there so late in the year. Their blend of progressive and post black metal is really something to be in awe of, resulting in an exceptional album. Clearly, there’s a lot going on in the background of such a band and getting a look at their influences would probably be a varied and fascinating affair. Thus, when the opportunity to do just that presented itself, we jumped on it and here we are, posting their Anatomy Of post! The below list, compiled by vocalist/guitarist Cameron Boesch, contains some expected picks (like post black metal geniuses, Lantlos) and some which make sense only in retrospect (like the present of a thrashy riff or two on the album fitting in with the Metallica influence).