Bands looking to work within the post black metal milieu face an inherent difficulty: how do you innovate on a genre that’s considered an innovation in and of itself? When you’re operating in a musical sphere which defines itself as “after” something, when the very basic approach of your genre…
Yes, I know I’ve just written one of these posts where I said I rarely dedicate one to the same band but it’s really not my fault that bands we’ve already covered here keep releasing amazing music. It probably is my fault, however, that the format of these posts didn’t really take that into account. I’ll say a few prayers to a delay pedal in penance. For now, let’s talk about Afformance again. These guys, based in Athens, Greece, peddle in the most cinematic and expansive kind of post rock. Thing is, they make it work, standing high above the cut in the sea of mediocrity that has unfortunately come to categorize this brand of post rock in the past few years. Just last month, they released two albums: Pop Nihilism and Music For Imaginary Film #1 and while the former is just fine the latter is where I’d like to focus today.
Honestly, Clear is probably my favorite release from Periphery. It was really refreshing to hear them connect to all the different sides of what makes up their musical palette. An especially great treat was Spencer Sotelo’s “The Parade of Ashes”; it was clear that Sotelo has a real passion for pop metal and everything it entails. His voice also works really well with that kind of influence. And, lo and behold, we now have a full release on which Sotelo really lets that passion shine through. Endur is its name and it sounds like what would happen if Michael Jackson, Nine Inch Nails and synthwave all had a horrific teleportation accident a la The Fly. Head on below for a taste!
Strap in for another ugly one.