I chose to open this review with a personal question because I am facing a crossroad; Leprous are among my favorite artists. Their sense of aesthetic, their delivery, their approach to emotions have all taken root in my heart over countless of hours of listening, a couple of live shows and four albums. But now, I am faced with Malina, an album that represents, to me, a surrender of their sound, a certain complacency which I never thought to find in their work, ever. Do I cast my judgement on the band’s essence, consigning them to derision, or do I try and appreciate the effort and intention behind the album and attempt to glean the essence beyond the phenomenon? The answer, as befits such complex questions, is a bit of both. On one hand, it’s very easy to find something to hold on to with Malina; we’re still talking about an accomplished and skillful band here, who are able to produce good music. On the other, that music is of dubious direction and style.
The purpose of this post is not to give you a play by play description of the festival; this isn’t a show review first and foremost. The idea instead is to give you a feeling for what attending the festival is like, whether by describing the location, some of the shows, the overall air or even the food on offer. The purpose of this post is to see as many of you as possible at the next year’s festival. This institution is well needed in the metal scene and it’s a pleasure to be able to support it in my own way. There’s only one condition: you have to say hello next year if you do come. I’ll buy you a beer, promise. Let’s get to it, shall we?
The Interbeing is a band that’s been making waves over the last few years. I keep seeing their name crop up in all sorts of places, like running orders for festivals or djent aficionados’ retorts to claim that djent is dead. Thus, when I was contacted to run their premiere, I was immediately intrigued; who are these oddly named bunch? Well, turns out that I should have listened to them sooner as they deal in the type djent/alternative metal for which I have a soft spot. Oh, and their new video is an absolutely delightful piece of science fiction, well produced and well written. What more do you need to know? Head on down below for your first listen!
Each month, we always seem to come to the same conclusion when it comes to our Editors’ Picks column: Friday release days open the floodgates and unleash a seemingly endless stream of quality new music. But while some of our Editors and Contributors sit down gleefully each week to dive into this newly stocked treasure trove, others find themselves drawing a blank at the end of the month due to the breakneck pace needed to keep up to date with what’s been released. Which brings us to this Heavy Blog PSA: a weekly roundup of new albums which pares down the the week’s releases to only our highest recommendations. Here you’ll find full album/single streams, pre-order links and, most importantly, a collection of albums that could very well earn a spot on your year end list. Enjoy!
Black metal is one of metal’s most mysterious and plentiful subgenres. It finds new ways to reinvent itself every few years and seems to be sprouting out of every country nowadays. Though the genre seems ubiquitous today, it didn’t start out that way. A handful of bands in the early 80’s started all the tropes that metalheads are so fond of today. While the genre’s Satanic imagery, punk and thrash influence, or ethereal nature can’t be solely credited to a single artist, one aspect can: the vocals. Black metal’s classic screeches were the invention of one Satanic Satanic teenager in 1984.