The word “unearthing” means to dig up something hidden. “After dodging Nazis and snakes, archaeologists spent their time unearthing the Ark of the Covenant.” But perhaps the word should take on a new meaning, which is to “leave Earth.” As the name of the band suggests, Into Orbit want you to leave the planet on a journey. These guys want to unearth you with their recent release, Unearthing.
Let’s dive into our album this week: The Parable of Arable Land by experimental rock/psych band Red Krayola, made in collaboration with “The Familiar Ugly”—a group of the band’s friends. RK consisted of Texas art school students, and this “outsider” influence (i.e. not trained musicians) shows up in their music in the best way possible. Lo-fi? Check. Tons of tracks that sound like noise (referred to as “Freak-Outs”)? Double check. If you like your music psychedelic, experimental, and given to flights of all-out, Brötzmann-esque free jazz, this is your record.
The story of metal is not linear. We didn’t arrive at the mayhem lurking in our Spotify playlists through a measured progression of technique, style, and genre. Rather, the evolution came in leaps and bounds, with dead ends and bursts of growth and pockets of innovation. To continue the evolutionary metaphor: the Cambrian Explosion of metal shot off in the mid 1980’s, as subgenres and geniuses and success combined into a specimen closely resembling much of modern metal. But the growth, although frantic, wasn’t instantaneous; rather, it seemed to expand exponentially from a single source, a catalyst in a chain reaction. That incipient band, the patient zero of metal as we know it today, is Iron Maiden. More precisely, the stratospheric success of The Number of the Beast, with it’s intricate compositions, transgressive lyrics, and trailblazing progressivity, diverged metal from hard rock completely and legitimized metal as a commercial viability, heralding the eruption of metal in the years to follow.
It’s been a minute since our last Holy Roar Records File and even longer since I wrote one. It’s only appropriate that the post is dusted off and brought back for this. Somehow, I hadn’t covered Employed To Serve in this feature before but that HAD to change for one reason; The Warmth Of A Dying Sun releases today and is a bona fide game changer in hardcore and heavy music. You can throw Code Orange at me all you want, Employed To Serve are thee band at the forefront of genre smashing heavy music. As always, make your own damn mind up about but if you feel like you need convincing then read ahead. There will be bountiful amounts of hyperbole and fruity language – oh, and a track by track breakdown from EtS’s very own Justine Jones. Tight.