Mothership, out of Dallas, TX, claim a lot of ‘70s hard rock as influences while making one of the more interesting styles of stoner-space rock. The opening and title track of the album sounds more like a mashup of Monster Magnet and Explosions in the Sky than it does, say UFO or Black Sabbath. That said, the second track, “Ride the Sun”, on their third album, High Strangeness, lands squarely in that wheelhouse. One can also hear elements of Kyuss in the noise Mothership bring and it’s easy to see why they have become a favorite in their local scene and are now getting out on their own headlining tour. Just two songs in and they show a surprising range when they create a positively Iron Maiden-esque break around the 2:45 mark before locking down into a half-time groove to wind down the song.
If you’ve followed Heavy Blog over the bast few years, you’ve likely noticed our affinity for Australian post-rock quartet sleepmakeswaves. We highlighted them in our Taxonomy on modern visionaries in their genre; listed their latest album Love of Cartography as our sixth favorite album of 2014; and even wrote them a Love Letter. With their latest album Made of Breath Only on the horizon, William France – one of our very own Aussies – spoke with bassist and keyboardist Alex Wilson about the upcoming record, the band’s politics and crowdfunding.
RateYourMusic lists Madvillainy as the fourth best hip-hop album ever, with a 4.10 rating (averaged from 11,175 ratings at the time of this writing). It’s worth noting that the albums that rank above Madvillainy—DJ Shadow’s Entroducing…, Nas’s Illimatic, and the top spot of Wu-Tang Clan’s Enter The Wu-Tang (36 Chambers)—were all made in the 1990s, when hip-hop had (arguably) matured artistically and cemented itself as a staple of modern music. (There’s a reason this time, concurrent to the late 80s, is still referred to as “The Golden Age of Hip-Hop.”) This album essentially cemented the careers of producer Madlib and rapper MF DOOM as well, shooting them into the upper echelons of underground hip-hop, and making them some of the people to work with in the genre. Essentially, we’re talking about an album that, by many, is considered flawless. So what is my beef with it?
Full disclosure: by a certain metric, this recommendation post is coming in just over a year late. But virtuosic jazz guitarist Julian Lage is one prolific fellow, and has put out not one, not even two, but three releases in the time span between then and now. It’s not hard to see why; the man’s improvisation skills are stunning to behold, tossing out fully realized lead moments left and right with comfortable ease.