Like gin and tonic or sunny days and the beach, crust and death are the perfect pairing. The glorious bludgeoning of death metal and overdriven, fuzzy crust makes short work of anyone uneducated in the mires of extreme music; novices may start and stop with Entombed, more shame on them. Henry Kane, a project headed by members of Wombbath, make even shorter work of those unwilling to get a bit of nasty dick crust in their jeans. Den Förstörda Människans Rike might compare to certain records with a certain guitar pedal sound, in that it sounds familiar in tone and feel, but not necessarily in terms of actual content.
Out of all the free improvisation I’ve listened to, there’s a distinct penchant towards tonal belligerence and chaos, which, while very enjoyable (seriously, I can’t get enough of dat saxophone skronk), can also sometimes be stale when you want something a little bit different. Which is why I wrote this article about Ballister, and their latest album, Slag.
Considering the prog metal trajectory they’ve been on for just shy of a decade now, it’s easy to forget that Canadian stalwarts Protest the Hero started out their career as a punk band. Of course, the punk roots are still intermittently noticeable throughout their post-Kezia discography — take the verses in “Spoils”, for instance — but for the most part, it’s plainly apparent that the band have comfortably adapted to a more technical, progressive sound over the years. In light of this, it’s actually somewhat surprising in retrospect that it took until 2017 for a more punk-oriented side project to arise from the band, but we’re now presented with Mystery Weekend, a three-piece featuring vocalist Rody Walker and drummer Mike Ieradi from Protest alongside guitarist/bassist Dan Hay.