RIVIẼRE – Heal

Newcomers RIVIẼRE (please don’t ask us what that tilde is doing there, we don’t know) show us the lack of identity which the post-progressive genre is afflicted with. This comes with its share of challenges and problems. On their debut album, Heal, RIVIẼRE attempt to tap into the aesthetic of post-progressive metal and generate the melancholy, ambient vibe which the genre is beginning to be famous for. When this works, it works extremely well; the heavier or more dynamic moments on the album are straight up brilliant. But in between those peaks, where the band have to rely on “duct tape” passages to keep everything whole, Heal falls a bit flat, confused as to what exactly is required of it in the interim between climaxes.

Hey! Listen to Dance With the Dead!

You might have noticed that some of us on the blog staff really love Synthwave and Retrowave. And why wouldn’t we? There’s so much in it that appeals, both musically and culturally. Some of it is enjoyable simply because it sounds great; most of it enjoys the added bonus of being culturally interesting, looking back on cultural and historical movements with a critical eye. And some of it is just damn FUN. Case in point: Dance with the Dead. This project straddles the boundaries between synthwave, EDM and plain old dance with its catchy beats and larger than life synth lines. However, it also incorporates a hefty deal of metal influences, with some of the tracks being downright heavy. On the newest release, B​-​Sides: Volume 1, these influences have really been brought to the fore. Just listen to the opening track below.

64 – Canadians In Cars Getting Tech-Death

  Eden is out doing shady things, and I am yet again ridden with the darned cold, so this week we get Ahmed again and of course, we discuss tech death again. It’s relevant to recent happenings though! Mainly Relapse reissuing Necrophagist’s classic Epitaph. We also talk about the upcoming…