Red Fang – Only Ghosts

In 2013, fresh into high school and edging out of his interest in death metal, a young Jake Tiernan was gifted a $20 iTunes gift card for Christmas by his old sister. At the time, $20 was a lot of money for him to spend on a site like iTunes, and he was naturally thrilled, questioning what he could possibly buy with his newly acquired wealth. He searched for hours, listening and re-listening to every possible Relapse Records sampler and new album to find one that particularly caught his attention until he finally stumbled upon a monster-riff unlike he had ever heard. This riff was “Blood Like Cream” by Red Fang and inspired the purchase of their last album, Whales And Leeches, and a meticulous love affair for one of stoner metal’s finest institutions. Now, almost 4 years later, that love burns strong still and provides an interesting dynamic when listening to the band’s most recent offering, Only Ghosts.

Destrage – A Means To No End

Leave it to Italy to bring us a band like Destrage. With their music striking an impossibly fine balance between relentless progressive metal and all sorts of silliness, the band blew us away with 2014’s Are You Kidding Me? No, somehow keeping up an almost playful sense through the album while simultaneously…

Best Of: Global Metal

As in everything, the trajectory of global culture has affected the ways in which we perceive and consume metal. While we won’t have the time to go in depth on concepts like “the West”, “globalism” and “cultural appropriation”, it’s safe to say that metal is too often viewed with a Western-tinged lens. Thus, Europe (western/northern Europe, that is) and the US are often viewed as the focal points of the community and, sometimes, as the only grounds in which events worth consider occur. However, the reality is far from that and is much more positive: metal, like any cultural community which has, is or will one day thrive, is a global phenomenon.