Gorguts – Pleiades’ Dust

Almost no other death metal band in today’s landscape has carved out such an important and impenetrable sound as Gorguts, the Canadian masterminds that have been warping brains and defying musical conventions for over two decades. You could easily lump them in with greats like Death and Morbid Angel for their sheer level of innovation within the genre, mostly due to 1998’s apocalyptic and terrifyingly avant-garde album Obscura. Oh, and it’s also worth mentioning that the band rose from the ashes a few years back after over a decade of silence and dropped Colored Sands, arguably the finest metal comeback album in history. It’s still an almost-unrivaled masterpiece of modern metal, borrowing from the lush atmospherics of bands like Porcupine Tree and Opeth while seamlessly synthesizing it with their trademark wall of dissonant aggression and even a full-on string quartet piece. The band sounded unquestionably inspired, completely focused and ended up becoming one of the more influential figures in the style as of late. Thankfully, Gorguts fans won’t have to wait for over another decade for the next batch of compositions from Luc Lemay & Co., and Pleiades’ Dust completely fucking delivers.

Starter Kit: John Zorn

Despite being relatively underground in the general world of music, John Zorn has established himself as one of the most important avant-garde musicians ever. With one of the most prolific discographies in music—accounting to about 90+ solo albums and 50+ side projects in genres ranging from classical to film score work to jazz to metal to free and structured improvisation and (seemingly) everything in between—Zorn has simply conquered music, like a sax-wielding Alexander the Great.

Hey! Listen to Desaster!

I think there’s something worth admitting: there’s a thrash formula, and I’d say a good majority of bands in the genre stick to that formula pretty ardently. Only recently in metal have bands tried to play against the grain and do things differently than Megadeth or Slayer have done. Now, formulaic thrash isn’t a bad thing, in my opinion, as long as it’s done with some hint of originality.

28 – Getting Too Old For This…

…shit! iTunes will probably get mad if I swear on the episode title, so there you go. Sometimes I wonder if anyone actually reads these descriptions. Well, in case you do, here are this week’s links for new music: Be’lakor, Hatebreed, Lacuna Coil, Whitechapel, Astronoid, Unlocking the Truth, Oracles, Fallujah. Also, Kylesa are done, and as you probably know, Prince passed away. Well, this week we talk about the external and internal perception of metal as intellectual/ignorant, then we talk about people who “leave” metal and feel that it’s for “angsty teens” and that we should “grow up”. Can you feel the salt already? Also, a brief tangent about where some MTV-metal artists are now.