Coffins/Ilsa – Split

The two bands play off one another well, sharing a common style with enough distinctions between the two to keep the split fresh and engaging as the split switches from Coffins and Ilsa. It is death-doom at its finest, pulverizing, unforgiving, and completely captivating, sacrificing nothing in its pursuit of heaviness, and maintaining two different, unique takes on the style through out.

Post Rock Post – Tiny Fingers

What if post-rock clashed with psychedelic rock, laden with Hammond synths, thick bass and screeching guitars? Why, only good thing would happen of course. Tiny Fingers are a testament to that: the Israeli gang mix all that and more with a splash of dubstep wubs and post-rock sensibilities to create music which is both expansive, intoxicating and groovy at the same time. It somehow manages to maintain the build-up/release vibe of most post-rock and its lengthy track runtimes without sacrificing the power to bewitch and entangle.

Looming Phenomenon: The Birth Of Post-Tech Death

Here, in the crucible of these bands and albums, a new genre is being formed, one that is emotionally stimulating and resolutely metal, equal parts intelligent and brutal, shaped by a constant musical dialogue between the simple and complex. Post-tech death is a treat for any fans of tech death and anybody who likes the concept, but wishes it wasn’t so sterile at times. Taking the best parts of the genre and twisting them to create original, engaging music, it’s a genre that is forward-focused and evolving, unique and fulfilling. And best of all, it’s just getting started.

Hey! Listen to Fossils!

Fossils are a Denmark-based duo that does instrumental sludge in a new way—that is, without the use of guitars. The band’s members—Simon Tornby and Per Silkjaer—only play bass and drums, respectively. Although their latest EP, The Meating, utilizes vocals, their two albums The Meat Rush and Flesh Hammer do not; instead, they fill the track with some of the most pummeling, earth-shaking, head-snapping riffs and pounding drums ever recorded. Each song the track plays is short and sweet—usually around two minutes—but doesn’t forget to groove like you wouldn’t believe.